Želimir Žilnik is a Serbian film director and one of the major figures of the Yugoslav Black Wave. He is noted for his socially engaging style and criticism of censorship that was commonplace during the Yugoslav communist era. Subsequently, following the abolition of communist one-party system, he was an outspoken critic of Slobodan Milošević-led regime in Serbia.
Directing
117
Male
1942-09-08
Nis, Serbia, Yugoslavia
Желимир Жилник
Ideal 68
ŽŽŽ: Journal About Želimir Žilnik
As One
Warm Film
Censored without Censorship
Black Film
The Other Line
Taiwan Canasta
Martinac
Pirika on Film
What Do Those Lunatics Want?
Alpe-Adria Underground!
House Orders
Under the Protection of the State
Hot Paychecks
Request
Farewell
The Old School of Capitalism
Early Works
Kenedi Goes Back Home
Kenedi Is Getting Married
Oldtimer
Pretty Women Walking Through the City
Marble Ass
Among the People: Life & Acting
Tito Among the Serbs for the Second Time
June Turmoil
Newsreel – Showing the Life of Village Youth
Little Pioneers
The Unemployed
Brooklyn - Gusinje
Kenedi, Lost and Found
I Do Not Know What That Should Mean
Public Execution
Paradise. An Imperialist Tragicomedy
The Comedy and Tragedy of Bora Joksimovic
Uprising in Jazak
Stanimir Descends To Town
Cosmo Girls
The First Trimester of Pavle Hromis
Logbook_Serbistan
Second Generation
The Illness and Recovery of Buda Brakus
Fortress Europe
Inventory
Dragoljub and Bogdan
Our Man in Gabon
Throwing Off the Yolks of Bondage
Wanderlust
Silo Danube, Vukovar
For Ella
Market People
Black and White
One Woman – One Century
Vera and Erzika
Good Morning, Belgrade
EXIT in the Morning
Europe Next Door
Danube Soap Opera
The Most Beautiful Country in the World
The Way Steel Was Tempered
Where Gods Are Dead
Cinetracts '20
Eighty Plus