Filmmaker, writer and film lecturer Eric Pauwels started his career with what he calls ‘cinéma mémoire’, or ethnographic documentary. He obtained his PHD in cinematography in Paris with a documentary on the ‘possessed’ in Indonesia. Afterwards, eager to step out of his role of being a spectator, Pauwels begins to make dance videos and works of fiction. The latter are so-called ‘half films’: half documentary, half fiction. But which distance does one keep to one’s subjects? Pauwels’ answer is clear: eliminate the distance and become a subject amongst your subjects. For him, cinema and life should ideally coincide; fiction should penetrate documentary.
Directing
38
Male
1953-11-02
Antwerp, Belgium
—
The Dreamed Films
Cabin trilogy : a conversation
Letter to Jean Rouch
Un film
Letter from a Filmmaker to His Daughter
Trois danses hongroises de Brahms
Journal de septembre
The Second Night
The Iconographic Journey: The Martyrdom of Saint Sebastian
The River Banks
Violin Fase
To Split or not to Split
The fragility of appearances
Hamlet ou les métamorphoses du jeu
Improvisation
Rites de Possession en Asie du Sud-Est
Face à Face
Pour Toujours
Face à face (part of Pas de Danse)