Alberto Fischerman (1937–1995) was an Argentine film director and advertising filmmaker. Much of his professional training and career took place in the advertising industry, where he worked as a director.
In the late 1960s, he became a member of the Grupo de los Cinco (Group of Five), alongside Ricardo Becher, Néstor Paternostro, Raúl de la Torre, and Juan José Stagnaro, filmmakers united by a desire to renew the forms and modes of production of Argentine cinema.
He made his feature-film debut with *The Players vs. Ángeles Caídos* (1969), which became the foremost representative of the aesthetic avant-garde in Argentine cinema of the period. Throughout his career, he directed films of widely varying styles, alternating between works of greater formal radicalism and more narrative-oriented productions, while continuing his work in advertising and television.
Directing
27
Male
1937-02-06
Buenos Aires, Argentina
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Apuntes para una biografía imaginaria
The Players vs. Ángeles Caídos
De la misteriosa Buenos Aires
Los días de junio
Este loco verano
Operación no se respira
Las puertitas del Sr. López
Gombrowicz or seduction (Represented by his disciples)
La pieza de Franz
La clínica del Dr. Cureta
Las sorpresas
Quema
Ya no hay hombres
Los pocillos
Retrato de Jorge Lavelli
El techo de Soldi