Mark Rappaport, a native of New York, worked as a film editor before making his own films, including The Scenic Route (1978), Impostors (1980), Postcards (1990) and Exterior Night (1994). His fictional film-essays include Rock Hudson's Home Movies (1992), From the Journals of Jean Seberg (1995) and The Silver Screen / Color Me Lavender (1998). Many of his articles on cinema have been published in Trafic over the years, as well as in Cinema. The spectator who knew too much is the first collection of his writings. In 2008, his photomontage film was screened for the first time at the Lincoln Center in New York, as part of the New York Film Festival. Mark Rappaport currently lives in Paris.
Directing
88
Male
1942-01-01
Brighton Beach, New York, USA
—
Mark Rappaport: The TV Spin-Off
Tati vs. Bresson: The Gag
Debra Paget, For Example
The Stendhal Syndrome or My Dinner with Turhan Bey
Two for the Opera Box
Friends
Rock Hudson's Home Movies
Love in the Time of Corona
From the Journals of Jean Seberg
The Scenic Route
Impostors
Local Color
Chain Letters
John Garfield
Mur 19
Blue Streak
Mozart in Love
Postcards
The Silver Screen: Color Me Lavender
Casual Relations
Jean Seberg
Exterior Night
Our Stars
Becoming Anita Ekberg
The Vanity Tables of Douglas Sirk
I, Dalio
Martin und Hans
The Circle Closes
Max & James & Danielle
Chris Olsen: The Boy Who Cried
Sergei/Sir Gay
The Empty Screen
The Double Life of Paul Henreid
Rope’s End
The Marriage of Greta Garbo and Sergei Eiseinstein
Will Geer: America's Grandpa
Conrad Veidt: My Life
Private Screenings
Anna/Nana/Nana/Anna
Last Year in Dachau