Paolo Gioli was born in Sarzano di Rovigo in 1942; he studied at the Fine Arts Academy in Venice and then in New York, where he came into contact with the New American Cinema, the New York School, and where he met Leo Castelli and Martha Jackson. In 1970 he settled in Rome where he frequented the authors of the Cooperativa Cinema Indipendente and the Filmstudio, and started to produce his own films. He moved to Milan in 1976 and focused his attention on photography: in this period he started using polaroid photos as a powerful means to broaden his research on instant photography, printing his work on different materials such as paper and canvas. Gioli is considered one of the most important photographers and film makers of his generation, and has held numerous solo exhibits in some of the most important museums such as the Centre Pompidou in Paris, the MoMA in New York and the Palazzo delle Esposizioni in Rome.
Directing
49
Male
1942-10-12
Sarzano di Rovigo
—
Ritratto di Piero Bargellini
The Perforated Cameraman
Paolo Gioli: Free Films Made Freely
Hilarisdoppio
The Cinema Machine
Filmarilyn
Pinhole Film (The Man Without a Movie Camera)
Piccolo film decomposto
Filmfinish
When the Eye Quakes
Tracce di tracce
Commutations with Mutations
Traumatografo
According to My Glass Eye
Of Diving and of Drowning
Images Disturbed by an Intense Parasite
Face : canvas : texture
Metamorphic
Images Overtaken by the Wheel of Duchamp
I volti dell’Anonimo
Il finish delle figure
Children
Extremotions
Finestra davanti ad un albero
The Naked Killer
Face Caught in the Dark
When Faces Touch
Real Image / Virtual Image
Anonimatografo
The Screen, Just the Screen
Rothkofilm
Unstable Figures Amidst Vegetation
Cineforon
Flutter
Volto telato
Paolo Gioli: Antologia film
When the Film Gets Hot
The Graven Face
Frameline
When Bodies Touch
Tessitura calda
Natura Obscura
Rectoinverso
Land's Red