Born in 1926 in Detroit, Robert Breer has spent fifty years building up a totally atypical body of work which plays with different genres and abolishes the notions of space and time.
Starting off as a painter, he then deconstructed his neoplastic works and ended up with kinetic objects. He dealt next with the thresholds of awareness and perception, both as a sculptor and a film-maker. His films are composed of a jumble images that pass at great speed, while his Floats move almost imperceptibly, in accordance with an unpredictable logic.
Robert Breer developed his light yet rigorous style while associating with the New York underground in the Pop years. Continuing his subtle exploration movement, he still today causes the space of reality-irrevocably unstable-to waver.
Directing
59
Male
1926-09-30
Detroit, Michigan, USA
Robert Carlton Breer
He Stands in a Desert Counting the Seconds of His Life
Colliding
Robert Breer At Home
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
Birth of a Nation
Free Radicals: A History of Experimental Film
Solstice and Solyanka
FASES DE LA LUNA I
Bang!
Homage to Jean Tinguely's 'Homage to New York'
Lmno
Fuji
Blazes
A Man and His Dog Out for Air
Jamestown Baloos
Form Phases II
Pat's Birthday
70
Form Phases I
Recreation
Breathing
Fist Fight
69
66
Eyewash
What Goes Up....
T.Z.
Swiss Army Knife with Rats and Pigeons
Trial Balloons
Gulls and Buoys
Motion Pictures No. 1
Time Flies
Form Phases IV
A Miracle
Rubber Cement
Sparkill Ave!
A Frog on the Swing
Atoz
77
PBL #2
Cats
Recreation II
For Life, Against the War
Horse Over Tea Kettle
Inner and Outer Space
Image by Images IV
Form Phases III
Image by Images III
Image by Images
Image by Images II
Cassis Colank
Par avion
The Movement
Eyewash (Alternate Version)
Blue Monday