Wallace McCutcheon Sr., referred to affectionately as "Old Man McCutcheon" by members of the Biograph stock company, was, by 1907, indeed one of the senior figures in American film production. Little is known of his background, but he had apparently moved into the early film industry from stage direction. Under the encouragement of his friend Frank Marion, McCutcheon began working as a supervisor and director for American Mutoscope in 1897, continuing with them after their reorganization as American Mutoscope & Biograph in 1899. McCutcheon Sr.'s wealth of credits are often mixed up with the small handful of films directed by his son, Wallace McCutcheon Jr. (1884–1928). Sources indicate he also went by the name of George McCutcheon.
Directing
51
Male
1858-01-01
New York, New York
W. McCutcheon, "Old Man" McCutcheon, Wallace McCutcheon
The Moonshiner
How They Rob Men in Chicago
The Nihilist
The White Caps
Three American Beauties
A Winter Straw Ride
At the French Ball
Personal
The Sculptor's Nightmare
King of the Cannibal Islands
The Widow and the Only Man
The Chicken Thief
The Boy Detective, or The Abductors Foiled
Her First Adventure
The Black Hand
A Total Accident
Tom, Tom, the Piper's Son
The Suburbanite
Old Isaacs, the Pawnbroker
The King's Messenger
Thompson's Night Out
The Invisible Fluid
The Man in the Box
The Kentuckian
The Stage Rustler
Grandpa's Reading Glass
From Leadville to Aspen: A Hold-Up in the Rockies
Classmates
Caught by Wireless
The Lost Child
Panorama from Times Building, New York
Mixed Babies
The Yellow Peril
The Escaped Lunatic
Hulda's Lovers
Falsely Accused!
When Knights Were Bold
Bobby's Kodak
He Loves Me, He Loves Me Not
Daniel Boone; or, Pioneer Days in America
The Princess in the Vase
A Famous Escape
'Ostler Joe
The Outlaw
Getting Evidence
Professional Jealousy