Marian Dora is the pseudonym of an anonymous German filmmaker known for taking on nearly every role in his productions. His name is an anagram of his real one, and he sometimes uses other aliases. Dora is heavily influenced by 1970s European cinema, particularly the works of Italian directors like Gualtiero Jacopetti, Ruggero Deodato, and Sergio Martino, as well as composers such as Riz Ortolani and Ennio Morricone. His films often reference European literary figures like Goethe, Nietzsche, and the Marquis de Sade.
Directing
150
Male
Unknown
Germany
Marian Dora Bolutino, Marian Dora Botulino, Marian D. Bolutino, M.D. Botulino, Marian D. Botulino, Art Doran, M.D. Bolutino, A. Doran, Marian Dallamano
Shooting Underground
Tribut der Unmenschlichkeit
Zombie Nation
Beyond Horror: The History and Sub-Culture of Red Films
Warum läuft Herr W. Amok?
Revisiting Melancholie der Engel
Debris Documentar
Lektion der Unvernunft
Under The Ground
Provokation
Cannibal
Melancholie der Engel
Thomas and Marco
Voyage to Agatis
The Profane Exhibit
Carcinoma
Erotic Fulfillment
The Yearning of Maria D.
Der Puppenschänder II
Carnophage
Es geschah in Gotha
Polydipsia
Sane Impression 1
Sane Impression 2
Sad Impression
Journey into Perversion
Erotic Fantasy
Vita Minima
Science
Opus Hominis 2
Proud Off
The Devil's Torturer
Morbid Montage
Mors in Tabula
Silencio Dei Morti
Caribbean Sunrise
Christian B.
A Springtime Morning
The Dead of San Angelo
Under Cemetery 2: Guanajuato
Cadavericon
Blight of Humanity
Opus Hominis
GORE TAPES
White Gardenia: The King James Bible
In Memoriam Carl Andersen
Sommerliebelei
Hommage an Peter Martell
The Chase Vault