De la Iglesia was an outspoken gay socialist filmmaker relatively unknown outside of Spain, despite a prolific and successful career in his native country. He is best remembered for having portrayed urban marginality and the world of drugs and juvenile delinquency in the early 1980s, and his films serve as an archive of the Spanish marginality of this era. Is other words, his work is closely related to the phenomenon popularly known in Spain as "quinqui cinema". His films are an example of commitment to the immediate reality; they were made with honesty and great risk, against the conformist outlook of most movies of its time. Many of this films also deal with the theme of homosexuality.
Directing
50
Male
1944-01-01
Zarautz, Gipuzkoa, Spain
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Blood in the Streets: The Quinqui Film Phenomenon
Navajeros
Overdose
El Pico 2
The Minister's Wife
Confessions of a Congressman
Navajeros, censores y nuevos realizadores
Fantasía... 3
Eloy de la Iglesia: Film Addict
The Cannibal Man
Murder in a Blue World
No One Heard the Scream
The Priest
Forbidden Love Game
Bulgarian Lovers
The Glass Ceiling
The Tobacconist of Vallecas
Something Bitter in the Mouth
The Other Bedroom
Afraid to Go Out at Night
Hidden Pleasures
The Creature
Cuadrilátero
Pals
Turn of the Screw