Phil Solomon was an internationally recognized filmmaker and educator who taught both film history/aesthetics and film production at University of Colorado Boulder from 1991 until his death in 2019. Solomon’s work has been screened in every major venue for experimental film throughout the U.S. and Europe, including 3 Cineprobes (one-man shows) at the Museum of Modern Art and two Whitney Biennials. His films have won 10 first prize awards at major international film festivals for experimental film (including six Juror’s Awards from the Black Maria Film and Video Festival). His films reside in the permanent collections of the Museum of Modern Art, Massachusetts College of Art, Binghamton University, Hampshire College, The Chicago Art Institute, San Francisco State University, the University of Wisconsin at Milwaukee, and the Oberhausen Film Collection. Solomon collaborated on three films with his colleague and friend, Stan Brakhage, who named Solomon’s Remains to be Seen on his Top Ten Films of All Time for Sight and Sound.
Directing
46
Male
1954-01-03
Manhattan, New York, USA
Philip S. Solomon
Brakhage
Stan Brakhage Exits the Cinema and Enters the Light of Day
Cannibal! The Musical
The Summit
Rocket Boy vs. Brakhage
Nightlight
Psalm II: Walking Distance
Last Days in a Lonely Place
Still Raining, Still Dreaming
What’s Out Tonight Is Lost
Elementary Phrases
Psalm I: The Lateness of the Hour
The Secret Garden
The Exquisite Hour
Psalm IV: Valley of the Shadow
Remains to Be Seen
Clepsydra
Seasons...
American Falls
Psalm III: Night of the Meek
Empire
Nocturne
Rehearsals for Retirement
The Emblazoned Apparitions
The Snowman
Simply Because You're Near Me
By This River
Alternating Currents
Concrescence
The Passage of the Bride
Crossroad
As If We
Yes I Said Yes I Will Yes
Innocence and Despair
Life with Stan #4: Stan Painting
Five Films by Phil Solomon
The Eternal Courtship