Jean-Claude Rousseau is one of the most unconventional lone fighters in French cinema. His predominantly short films deal with no less than cinema per se: space, time and movement. As abstract as each of these concepts might seem taken alone, Rousseau assigns their ultimate designation as an integral whole: A person (or no-one, for that matter) moves (or does not move) within a room (or looks into another room) for a certain amount of time.
Directing
100
Male
1946-01-01
Paris
—
The Tomb of Kafka
Twice Around the World
Chansons d'amour
Lettre à Roberto
Girl Reading a Letter by an Open Window
Une Vie Risquée
Remembering Wavelengths
L'Appel de la forêt
De son Appartement
Three Times Nothing
Festival
The Enclosed Valley
White Night
Starless Night
Saudade
Senza mostra
The Antiquities of Rome
Welcome
Under a Changing Sky
Pas cette nuit
Just Before the Storm
False Start
Venise n'existe pas
Keep in Touch
Passion
Faibles amusements
Où sont tous mes amants?
Série noire
Souvenir d'Athènes
Late Season
So Far, So Close
Non rendu
Une vue sur l'autre rive
Veduta
Attic
Last Breath
A Day
L'air d’être là
Un autre jour
Eaux profondes
Flamenco
La Villa
Éclaircie
Fantastique
Delft dans le lointain
In Memoriam
Partage des Eaux
A Floating World
Requiem
Terrasse avec vue
301
Mirage
Last Stop for the Circular Ticket
Contretemps
Comme une ombre légère