Joao Maria Gusmao b. 1979, Pedro Paiva b. 1977. Live and work in Lisbon. The Portuguese artists Joao Maria Gusmao and Pedro Paiva have collaborated since 2001 on creating objects, installations and 16mm and 35mm short films. The duo describe their overall project as a kind of “recreational metaphysics,” a genre that to a certain extent they themselves have re-invented following the Portuguese poet Alberto Caeiro (Fernando Pessoa) on his layered aesthetical modern experiment on materialism. The short films depict staged episodes and sequences of pseudo-scientific experiments with both poetical and comical consequences. In recent years Gusmao and Paiva’s production has centered on the idea of movement and duration, both within the cinematographic vocabulary, with references to early film pioneers as Eadweard Muybridge and Etienne-Jules Marey, and through the artists’ own practical experiments and conceptual invention.
Directing
46
Male
Unknown
Portugal
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Chopping Fruits and Vegetables
Three Albinos Telling Jokes by the Fireplace
Eye Eclipse
Placing the Fisheye
Dream of a Ray Fish
The Soup
The Initiate
Proboscis
Those Animals That, at a Distance, Resemble Flies
Triangles and Squares
Fried Egg
Bread, Tea and Bao Game
Cassowary
Wheels
Papagaio (Djambi)
Meteoritica
A Moeda-Viva
Solar, the Blindman Eating a Papaya
Benguelino Casting a Spell on the Camera
The Human Torch
Hand Smaller than Hand
The Horse of the Prophet
Getting into bed
Sleeping Flamingo
3 Sóis
A Coluna de Colombo
Ventriloquismo
Pot Smaller than Pot
Sleeping in a Bullet Train
Water mill
Cowfish
Tarciso’s Analogy
Hairy Stone
Fruit Polyhedron
Turtle
Pipe
Motorcycle, Bike and Human Dots
Glossolalia
Spaghetti Tornado
Donkey
Under a car
Wave