Lillian Schwartz is a pioneer in the field of computer animation. In the early 1970s, she became the official artist in residence at AT&T Bell Laboratories, IBM's Thomas J. Watson Research Laboratory and at Lucent Technologies Bell Labs Innovations where she would experiment with early computer graphics programs to create short works of film art. After studying traditional free-hand drawing while a nursing student at the University of Cincinnati, Schwartz became interested in incorporating technology into her artwork. Along with computer scientist Ken Knowlton, she helped create the image-generating programming language EXPLOR, with which she created many of her works in the mid to late '70s. In addition to her animation, Schwartz has also done research in the field of using computers to analyse the working methods of traditional artists such as Picasso, Matisse and Da Vinci by amassing large databases of their colour palettes and structures within their art. (from: http://www.undergroundfilmjournal.com/tag/lillian-schwartz/)
Directing
74
Female
1927-01-01
Unknown
Lillian F. Schwartz
The Artist and the Computer
Raymond Roussel: The Day of Glory
Pangloss
Olympiad
Pixillation
UFOs
Veil of Years
Mutations
Googolplex
Apotheosis
Mis-Takes
Affinities
OHM+: The Early Gurus Of Electronic Music : 1948–1980
L'oiseau
La Spiritata
Newtonian II
Fantasies
Alae
Mathoms
Newtonian I
Bagatelles
Pictures from a Gallery
Kinesis
Mayan
Metathesis
Innocence
Metamorphosis
Enigma
Collage
Papillons
Mirage
Galaxies
Reflections
The Museum of Modern Art
Beyond Picasso
Rituel
Morphing of the Telephone
On-Line
Poet of His People
3 Degree K #02
Before Before
Trois Visage
Nino
Experiments
Mime Control
Ensemble #2
Juggler
Ensemble #1
Dancer 2
Exquisite Motions
EXALT
Mood Changes
3-D Exotic
Xtreme Sightings
NUMÉROS
Tacit Expressions
Lily's Sea
X-STRIA2
The Beauty of Excess
Expressive Shapes
RGBCMY
X-STRIA1
Twirlinx
AZTEC
The Lady or The Tiger