Lillian Schwartz is a pioneer in the field of computer animation. In the early 1970s, she became the official artist in residence at AT&T Bell Laboratories, IBM's Thomas J. Watson Research Laboratory and at Lucent Technologies Bell Labs Innovations where she would experiment with early computer graphics programs to create short works of film art. After studying traditional free-hand drawing while a nursing student at the University of Cincinnati, Schwartz became interested in incorporating technology into her artwork. Along with computer scientist Ken Knowlton, she helped create the image-generating programming language EXPLOR, with which she created many of her works in the mid to late '70s. In addition to her animation, Schwartz has also done research in the field of using computers to analyse the working methods of traditional artists such as Picasso, Matisse and Da Vinci by amassing large databases of their colour palettes and structures within their art. (from: http://www.undergroundfilmjournal.com/tag/lillian-schwartz/)
Directing
74
Female
1927-01-01
Unknown
Lillian F. Schwartz
The Artist and the Computer
Raymond Roussel: The Day of Glory
Pangloss
Olympiad
Pixillation
UFOs
Veil of Years
Mutations
Googolplex
Mis-Takes
Affinities
Apotheosis
OHM+: The Early Gurus Of Electronic Music : 1948–1980
Collage
Alae
L'oiseau
La Spiritata
Bagatelles
Pictures from a Gallery
Mathoms
Newtonian II
Metathesis
Metamorphosis
Mayan
Fantasies
Newtonian I
Innocence
Enigma
Papillons
Galaxies
Mirage
Kinesis
Reflections
The Museum of Modern Art
Beyond Picasso
Morphing of the Telephone
Rituel
On-Line
Poet of His People
3 Degree K #02
Before Before
Nino
Experiments
Trois Visage
Mime Control
Ensemble #1
Dancer 2
Juggler
Ensemble #2
X-STRIA2
AZTEC
Expressive Shapes
3-D Exotic
X-STRIA1
Twirlinx
EXALT
Mood Changes
Lily's Sea
Tacit Expressions
The Beauty of Excess
Xtreme Sightings
RGBCMY
NUMÉROS
Exquisite Motions
The Lady or The Tiger