Deborah Stratman is a Chicago-based artist and filmmaker interested in landscapes and systems. Her films, rather than telling stories, pose a series of problems – and through their at times ambiguous nature, allow for a complicated reading of the questions being asked. Much of her work points to the relationships between physical environments and the very human struggles for power and control that are played out on the land. Most recently, they have questioned elemental historical narratives about faith, freedom, sonic subterfuge, expansionism and the paranormal. Stratman works in multiple mediums, including sculpture, photography, drawing and audio. She has exhibited internationally at venues including the Whitney Biennial, MoMA NY, the Pompidou, Hammer Museum, Witte de With, Walker Art Center, Yerba Buena Center, and has done site-specific projects with the Center for Land Use Interpretation, Temporary Services, Mercer Union (Toronto), Blaffer Gallery (Houston), Klondike Institute of Art & Culture (Yukon) and Ballroom Gallery (Marfa). Stratman’s films have been featured at numerous international festivals including Sundance, the Viennale, Full Frame, Ann Arbor, Oberhausen and Rotterdam. She is the recipient of Fulbright and Guggenheim fellowships, a Creative Capital award, and she currently teaches at the University of Illinois at Chicago.
Directing
91
Female
1967-01-01
Washington, USA
—
Laika
Vever (For Barbara)
Deborah Stratman to Nancy Holt: For the Time Being
Otherhood
O'er the Land
In Order Not to Be Here
Hacked Circuit
From Hetty to Nancy
Kings of the Sky
Second Sighted
The Magician's House
Musical Insects
These Blazeing Starrs!
It Will Die Out in the Mind
Village, Silenced
How Among the Frozen Words She Found Some Odd Ones
Ray's Birds
The BLVD
The Illinois Parables
Last Things
On the Various Nature of Things
Xenoi
Untied
Energy Country
Optimism
Immortal, Suspended
Shrimp Chicken Fish
FF
The Name is not the Thing named
Kuyenda N'kubvina (Walking Is Dancing)
Susurrati
Hello Ladies