Experimental filmmaker, author, activist, film scholar, and cultural worker Marjorie Keller (1950-1994) created a uniquely personal and feminist body of work for twenty years beginning in the early 1970s. Keller also served on the board of directors of the Collective for Living Cinema, was the founding editor of their journal, Motion Picture from 1984 to 1987 and was Director of the New York Filmmakers Cooperative in the late 1980s. Writer J. Hoberman called her “an unselfish champion of the avant-garde.” Her films deftly combine home movie and diary styles through a potent politicized lens.
Directing
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The Answering Furrow
Trip to Carolee
As Is Was
Departure
Is As Is
By Twos and Threes: Women
The Outer Circle
Six Windows
Part IV (Green Hill)
Daughters of Chaos
Misconception
Private Parts
The Fallen World
She/Va
Ancient Parts/Foreign Parts
Objection
Herein
Film Notebook: Part 1 (For Saul)
Lyrics
Untitled
The Web
Turtle
On the Verge of an Image of Christmas
We Demand Jobs
Hell No, No Cuts
Untitled
Superimposition
Film Notebook: Part 2 (Some of Us in the Mechanical Age)