Director, author, and professor of philosophy and film studies Raymonde Carasco (1939-2009) left behind a remarkable body of work that remains little known today. Her attempts at combining film and anthropology, which she eventually gave up, arose from an interest in Sergei Eisenstein, about whose approach to editing she had written a dissertation under the guidance of Roland Barthes. Inspired by Antonin Artaud’s book Voyage to the Land of the Tarahumara (1947, published in English in 1976 as The Peyote Dance), she traveled to Mexico, where she spent more than years with this group of Native Americans. Together with her husband, the cinematographer and film editor Régis Hebraud, she filmed an entire series of ethnographic films: Tarahumaras 78 (1979), Tarahumaras 79 – Tutuguri (1980), Los Pintos (1982), Tarahumaras 85 – Los Pascoleros (1996), Artaud et les Tarahumaras (1996), Ciguri 98 – The Peyote Dance (1998), Ciguri 99 – Le dernier Chaman (1999) and La Fêlure du temps (2004)
Directing
35
Female
1939-06-19
Carcassonne, France
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Ciguri – Tarahumaras 98 - La Danse Du Peyotl
Un film (autoportrait)
Life Lesson
Cinématon
Le Cinématon invisible de Raymonde Carasco
The Dead Tree
Le Contrebandier des profondeurs
Cinématon IV
Cinématon n°32 : Raymonde Carasco
Rupture
Gradiva: Esquisse I
Tarahumaras 78
Tutuguri: Tarahumaras 79
Los Pintos - Tarahumaras 82
Yumari - Tarahumaras 84
Los Pascoleros - Tarahumaras 85
Ciguri - Tarahumaras 99 - Le dernier chaman
Tarahumaras 2003, The Crack of Time Part 2: Childhood
Artaud and the Tarahumaras
Portrait d'Erasmo Palma - Tarahumaras 87
Los Matachines - Tarahumaras 87
Tarahumaras 2003, The Crack of Time Part 3: Initiation - Gloria
Tarahumaras 2003, The Crack of Time Part 5: The Farewell
Tarahumaras 2003, The Crack of Time Part 1: Before - The Apaches
Tarahumaras 2003, The Crack of Time Part 4: Raspador - The Sueño
Divisadero 77 (Gradiva - Western)
Julien
Ciguri – Tarahamuras 96