Born in 1948, Guy Sherwin studied painting at Chelsea School of Art in London. Inspired by films and expanded cinema from the London Filmmakers’ Co-op, he began making films and acquired laboratory skills while working there during the 1970s. His 16mm films are often highly concentrated in their form, but very diverse in terms of their imagery and approach. The Short Film Series (1975-ongoing) and live performance pieces such as Man with Mirror (1976-ongoing) involve human, animal and natural phenomena transcribed as filmic subjects, while his optical sound films and performances explore a wide variety of abstract audiovisual ideas.
Directing
84
Male
Unknown
Unknown
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New Shores
Paper Landscape
Hand/Shutter
Messages
Portrait with Parents
Handcrank Clock
Guy & Kai
Newsprint #2
Vowels & Consonants
Sound Cuts
Notes
Cycles #3
Mobius Loops
Man with Mirror
Mile End Purgatorio
At the Academy
Short Film Series
Light Cycles
Flight
Views from Home
Prelude
Filter Beds
Animal Studies
Bay Bridge from Embarcadero
Salt Water
Night Train
Eye
Tap
Cycle
Chimney
Window
Cat on TV
Maya
Gnats
Treeline
Yi Wei
Cat
Light Leaves
Piano
Coots
Mei
Swimming
Tree Reflection
Columns
Track
Clouds & Wires
Metronome
Clock & Train
Tree & Cloud
Wind & Water
Breathing
Barn
Candle & Clock
Window/Light
Blink
Cycles #1
Vermeer Frames
Da Capo: Variations on a Train with Anna
Connemara
Phase Loop
Sound Shapes
Newsprint #1
Soundtrack
Musical Stairs
Railings
Interval
Interval #2
Notes #1
Notes #2
Optical Sound
Spirals
Cross Section #2
Why there is something rather than nothing
Nijomasue
Paper Landscape #2
Under the Freeway
Bruce Baillie at Total Mobile Home Talking About All My Life
Camden Road Station