No one in Germany can more justifiably call himself an independent filmmaker than Lothar Lambert: 41 films to date since 1971, almost all financed out of his own pocket, as producer, director, screenwriter, actor and, time and again, as editor, cameraman, sound man and distributor.
Cinema about sex and longings, self-realization and psychological deformities, desires, the weal and woe of the little-noticed in the (initially only West) Berlin urban jungle. And it is as authentic, shocking and tragicomic as you rarely find in this country.
Because they were unusually weird and "dirty" in terms of content and form - especially for the well-behaved German standards - Lambert's works were quickly classified as "underground" in the seventies. And have recently been increasingly ignored by critics and film historians.
Having long since become documents of the zeitgeist and thus of contemporary history, it is long overdue to (re)discover these works.
Directing
78
Male
1944-06-24
Rudolstadt, Germany
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You Elvis, Me Monroe
A Fairy for Dessert
Kismet Kismet
Kobay
A Touch of Longing: His Fight
Late Show
Fucking City
Dirty Daughters oder Die Hure und der Hurensohn
From Here to Vanity
The Nightmare Woman
Blonde to the Bone
Love/Hate Lola
Carl Andersens Underground der Liebe
1 Berlin-Harlem
Wolfgirl
Now or Never
Lost and Found in Underground: Lothar Lambert's Psycho City
Utopia
Faux Pas de Deux
Tiergarten
Gestatten, Bestatter
Forbidden to Forbid
Fräulein Berlin
Thank God I’m in the Film Business!
Paso Doble
What You Never Wanted to Know About Women
And God Created Make-Up
Gut drauf, schlecht dran
Drama in Blond
Desert of Love
All My Tumbler Girls, or All About Women Who Dare to...
Der sexte Sinn
Liebe, Tod und kleine Teufel