Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
Directing
58
Male
Unknown
Soissons, Aisne, France
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Home Movie : Marrakech
Fictional Art Film
Bitte Danke
My Last Bag of Heroin (For Real)
Chronicles: Morocco
Apocalypse Later - Hudson
Chromo sud
Homeo
Birth of a Nation
The Feature
Fun and Games for Everyone
Langlois
The Stone Age
High Life
Shoppingheads
Daytime Version of the Night
Confession
Polaroid Cocaine
Blind Sex
Chelsea, Manhattan - NYC
Endless Column
48 Hours in 8 Minutes
Heads in Love
It's Hard to Be Down When You're Up
Cleopatra
Keeping Busy
Magnetic Notes, 1986-1987
Coupla White Faggots Sitting Around Talking
Gulf War TV War
The Course of Empire
Phone content HQ6s02 BERLIN CAMERAROLL
Chelsea Girls with Andy Warhol
Brooding Angels
The Valerie Solanas Incident
Roman Variations
Narcolepsy
Voyage to the Center of the Phone Lines
Talking Head
Made for Denise
My Love
Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
Jesus
1967
Alice Neel Paints Margaret
Seduction of Patrick
Chasing the Dragon