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Shūji Terayama (December 10, 1935 – May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. According to many critics and supporters, he was one of the most productive and provocative creative artists to come out of Japan. He was born December 10, 1935, the only son of Hachiro and Hatsu Terayama in Hirosaki city in the northern Japanese prefecture of Aomori. His father died at the end of Pacific War in Indonesia in September 1945. At the age of nine, his mother moved to Kyūshū to work at an American military base while he himself went to live with relatives in the city of Misawa, also in Aomori. At this same time, Terayama lived through the Aomori air raids that killed more than 30,000 people.
Terayama entered Aomori Prefectural Aomori High School in 1951, and in 1954 went to prestigious Waseda University's Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome. He received his education through working in bars in Shinjuku. His oeuvre includes a number of essays claiming that more can be learned about life through boxing and horse racing than by attending school and studying hard. Accordingly, he was one of the central figures of the "runaway" movement in Japan in the late 1960s, as depicted in his book, play, and film "Throw Away Your Books, Run into the Streets!
In 1967, Terayama formed the Tenjō Sajiki theater troupe, whose name comes from the Japanese translation of the 1945 Marcel Carné film "Les Enfants du Paradis", so can be translated as "children of heaven", however its correct translation is "Ceiling Gallery" and has a meaning similar to the English expression "Peanut Gallery". The troupe was dedicated to the avant-garde and staged a number of controversial plays tackling social issues from an iconoclastic perspective. Some major plays include "Bluebeard", "Yes", and "The Crime of Fatso Oyama", among others. Also involved with the theater were artists Aquirax Uno and Tadanori Yokoo, who designed many of the advertisement posters for the group. Musically, he worked closely with experimental composer J.A. Seazer and folk musician Kan Mikami.
He was also involved in poetry and at 18 was the second winner of the Tanka Studies Award.
Terayama experimented with ‘city plays’, a fantastical satire of civic life.
Also in 1967, Terayama started an experimental cinema and gallery called 'Universal Gravitation,' which is in fact still in existence at Misawa as a resource center. The Terayama Shūji Memorial Hall, which has a large collection of his plays, novels, poetry, photography and a great number of his personal effects and relics from his theatre productions, can also be found in Misawa. In 1976, he was a member of the jury at the 26th Berlin International Film Festival.
Terayama published almost 200 literary works, and over 20 short and full-length films.
He was married to Tenjō Sajiki co-founder Kyōko Kujō, but they later divorced, although they continued to work together until Terayama's death on May 4, 1983 from cirrhosis of the liver.
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Directing
87
Male
1935-12-10
Aomori, Japan
Shûji Terayama, 寺山 修司, Shuuji Terayama, 테라야마 슈지, 슈지 테라야마
Catalog of Memory
Children of the Gods
Where is Tomorrow, Shuji Terayama
Video Letter
JRA CM
Pretty Devil Yoko
Youth in Fury
Shuji Terayama: #47
Emperor Tomato Ketchup
The Experimental Image World of Shuji Terayama
Private Collections
Fruits of Passion
Grass Labyrinth
Pastoral: To Die in the Country
Labyrinth Tale
Farewell to the Ark
Nanami: The Inferno of First Love
Throw Away Your Books, Rally in the Streets
The War of Jan-Ken-Pon
Killers on Parade
Les chants de Maldoror
Butterfly
Smallpox Tale
Father
The Eraser
The Cage
An Attempt to Describe the Measure of a Man
Young Person's Guide to Cinema
The Woman with Two Heads
Laura
The Reading Machine
The Trial
Shintokumaru
100 Years of Solitude
Directions to Servants
The Lemmings
Boxer
The Scandalous Adventures of Buraikan
Lemming
La Marie-vison
The Hunchback of Aomori
A Tale of Africa
Third Base
Our Age Comes Riding on a Circus Elephant
Catology