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Chantal Akerman

Chantal Akerman

Biography

Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).

Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.

Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.

Personal Info

Known For

Directing

Known Credits

166

Gender

Female

Birthday

1950-06-06

Place of Birth

Brussels, Belgium

Also Known As

Chantal Anne Akerman, Chantal Ackerman, 샹탈 아커만, 샹탈 아케르만, 샹탈 애커만

Known For

Saute ma ville Seven Women, Seven Sins Je Tu Il Elle News from Home Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles La chambre She Spent So Many Hours Under the Sun Lamps Pictures of Europe Chantal Akerman, From Here Guest Chantal Akerman: An Interview Knokke: une petite fiction 2 Autour de La Folie Almayer Chantal Akerman by Chantal Akerman No Home Movie The Man with the Suitcase Porto I Don't Belong Anywhere: The Cinema of Chantal Akerman L'inhumaine Tell Me The Ministries of Art What Is Cinema? Chantal Akerman: Always on the Road Family Business The Day When... My Name is Chantal Akerman Making of Tomorrow We Move The Beloved Child, or I Play at Being a Married Woman What Lies Beneath the Sky Autour de Jeanne Dielman Birth of a Nation Letter from a Filmmaker: Chantal Akerman Down There ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen But Elsewhere Is Always Better Maniac Summer De droomproducenten Chantal Akerman Portrait of a Lazy Woman Mallet-Stevens Street Interview with Aurore Clément Interview with Babette Mangolte Interview with my mother, Natalia Akerman My Mother Laughs Prelude Delphine and Carole One Day Pina Asked... The Art of Time Son chant Examen d'entrée INSAS From the Other Side Calling the Shots On Belonging Untitled In Her Own Words Morceaux de Cannes Chantal Akerman, an autobiography All Night Long Golden Eighties The Captive A Couch in New York Lest We Forget The Meetings of Anna From the East Almayer's Folly Tomorrow We Move Night and Day Hotel Monterey Portrait of a Young Girl at the End of the 60s in Brussels The State of the World The Eighties Le 15/8 The Hammer South Paris Seen By... 20 Years After American Stories: Food, Family and Philosophy Three Stanzas on the Name of Sacher With Sonia Wieder-Atherton Knokke: une petite fiction Bruxelles: La soeur et la mère de Marilyn Bruxelles: à la Foire du Midi Letters Home Hôtel des Acacias Moving In Franz Schubert's Last Three Piano Sonatas I'm Hungry, I'm Cold For Febe Elisabeth Velasquez, El Salvador East with Sonia Wieder-Atherton Nightfall in Shanghai Hanging Out Yonkers Now
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