Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.
Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Directing
166
Female
1950-06-06
Brussels, Belgium
Chantal Anne Akerman, Chantal Ackerman, 샹탈 아커만, 샹탈 아케르만, 샹탈 애커만
Saute ma ville
Seven Women, Seven Sins
Je Tu Il Elle
News from Home
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
La chambre
She Spent So Many Hours Under the Sun Lamps
Pictures of Europe
Chantal Akerman, From Here
Guest
Chantal Akerman: An Interview
Knokke: une petite fiction 2
Autour de La Folie Almayer
Chantal Akerman by Chantal Akerman
No Home Movie
The Man with the Suitcase
Porto
I Don't Belong Anywhere: The Cinema of Chantal Akerman
L'inhumaine
Tell Me
The Ministries of Art
What Is Cinema?
Chantal Akerman: Always on the Road
Family Business
The Day When...
My Name is Chantal Akerman
Making of Tomorrow We Move
The Beloved Child, or I Play at Being a Married Woman
What Lies Beneath the Sky
Autour de Jeanne Dielman
Birth of a Nation
Letter from a Filmmaker: Chantal Akerman
Down There
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
But Elsewhere Is Always Better
Maniac Summer
De droomproducenten
Chantal Akerman
Portrait of a Lazy Woman
Mallet-Stevens Street
Interview with Aurore Clément
Interview with Babette Mangolte
Interview with my mother, Natalia Akerman
My Mother Laughs Prelude
Delphine and Carole
One Day Pina Asked...
The Art of Time
Son chant
Examen d'entrée INSAS
From the Other Side
Calling the Shots
On Belonging
Untitled
In Her Own Words
Morceaux de Cannes
Chantal Akerman, an autobiography
All Night Long
Golden Eighties
The Captive
A Couch in New York
Lest We Forget
The Meetings of Anna
From the East
Almayer's Folly
Tomorrow We Move
Night and Day
Hotel Monterey
Portrait of a Young Girl at the End of the 60s in Brussels
The State of the World
The Eighties
Le 15/8
The Hammer
South
Paris Seen By... 20 Years After
American Stories: Food, Family and Philosophy
Three Stanzas on the Name of Sacher
With Sonia Wieder-Atherton
Knokke: une petite fiction
Bruxelles: La soeur et la mère de Marilyn
Bruxelles: à la Foire du Midi
Letters Home
Hôtel des Acacias
Moving In
Franz Schubert's Last Three Piano Sonatas
I'm Hungry, I'm Cold
For Febe Elisabeth Velasquez, El Salvador
East with Sonia Wieder-Atherton
Nightfall in Shanghai
Hanging Out Yonkers
Now