Fred Worden, filmmaker, has been involved in experimental cinema since the 1970s. His work has been screened at The Museum of Modern Art, in the 2002 Whitney Biennial, The Centre Pompidou, in Paris, The Pacific Film Archive, The New York Film Festival, The London Film Festival, The Rotterdam International Film Festival, The Toronto Film Festival, and The Hong Kong International Film Festival. He was an editor for Criss-Cross Art Communications from the '70s through the '80s and his writings have appeared in Cinematograph. His work is included in the Stan Brakhage Collection, the Austrian Museum, The Centre Pompidou and others. Worden's work develops out of his interest in intermittent projection as the source of cinema's primordial powers: how a stream of still pictures passing through a projector at a speed meant to overwhelm the eyes might be harnessed to purposes other than representation or naturalism.
Directing
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Male
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Cyclopean 3D: Life with a Beautiful Woman
Automatic Writing
The Or Cloud
Introduction to the Secret Society
In & Out
Insomnia
If Only
How The Hell I Ripped Jack Goldstein's Painting In The Elevator
Time's Arrow
Lure
Here, There Now, Later
Breakout
North Shore
When Worlds Collude
The After Life
Here
Amongst the Persuaded
Blue Pole(s)
Terrific Measures
Panovision
Vudoo
Four Frames
Possessed
All or Nothing
Boulevard
Venusville
1859
Now, You Can Do Anything
One
Throbs
Bon Ami
Plotting the Grey Scale: 2 or 3 Quick Traverses
Everyday Bad Dream
All My Life
Tetrahedron
Automatic Writing 2
Another Water Film
Not Be Bop
Go
Venetian Blind
This Old House
After Hours in the Cerebral Kitchen: Experimental Filmmaking in the 21st Century