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Júlio Bressane

Júlio Bressane

Biography

Júlio Eduardo Bressane de Azevedo (Rio de Janeiro, February 13, 1946 ) is a Brazilian filmmaker and writer.

A representative of the Brazilian Cinema Marginal, he began making films as an assistant director of Walter Lima Jr., in 1965. In 1967, Bressane debuted as director with Face to Face, being selected for the Festival of Brasilia. In 1970, he founded Belair Movies in company with fellow filmmaker Rogério Sganzerla. They chose a model of making films and low-cost production and thereby managed to run six feature films in just six months.

He came into exile in London in the early 1970s, but returned to Brazil several years later and made one film after another, using slapstick and debauchery as its main features. An acclaimed film of this period was the provocative Tabu, released in 1982. Critics consider Bressane the most scholarly of the Brazilian film directors, and his work is notable for the diversity of its narrative language. Another feature of his filmography is the comprehensive approach to historical and literary characters. He is also noted by his low-budget, short-time shootings, with an average of 11 to 14 days to make and edit a film.

Description above from the Wikipedia article Júlio Bressane licensed under CC-BY-SA, full list of contributors on Wikipedia.

Personal Info

Known For

Directing

Known Credits

193

Gender

Male

Birthday

1946-02-13

Place of Birth

Rio de Janeiro, Rio de Janeiro, Brazil

Also Known As

Julio Bressane

Known For

The Queen of the Night A Mulher da Luz Própria Drumming Beat of the Stars Sentimental Education Chinese Viola Strade perdute - Filmmaker 23 Ver Viver Reviver About Cinema Quando a Coisa Vira Outra Galáxia Albina Horror Palace Hotel The Long Voyage of the Yellow Bus 50 minutos e 23 segundos com Júlio Bressane A Miss e o Dinossauro Talking Cinema Earth Avacalha e se Esculhamba The Agony Lágrima Pantera: A Míssil Copacabana, Mon Amour: A Restauração A Linguagem do Cinema Nietzsche Sils Maria Rochedo de Surlej A Vermelha Luz do Bandido Belair Naive Cinema Brás Cubas Torquato Neto, O Anjo Torto da Tropicália Candango: Memoirs from a Festival Tabu Dark Galaxy Il vento del cinema Nietzsche em Português Phantom of the Opera Dunas do Barato Capitu and the Chapter Quem Seria o Feliz Conviva de Isadora Duncan? Cleopatra The Herb of the Rat A Love Movie The Angel Was Born São Jerônimo Beduíno Lima Barreto: Trajetória King of the Cards A Fada do Oriente Days of Nietzsche in Turin Killed the Family and Went to the Movies Miramar The Hullabaloo Family Sermões Venice 70: Future Reloaded Aperana Street 52 The Giant of America Baron Olavo, The Horrible O cinema do cinema – Criação e recriação da imagem no filme cinematográfico The Mandarin Face to Face Crazy Love Memoirs of a Strangler of Blondes Rudder of Destiny Watch Out, Madame Ideogram Oswaldianas O Monstro Caraíba Brazil Year 2000 Kid Bethânia Bem de Perto: A Propósito de um Show Sob o céu, sob o sol, Salvador Cidade pagã Maria Bethânia: As Canções Que Você Fez Pra Mim Terra incógnita Carnaval na Lama Passagem em Ferrara Seduction of the Flesh Flashes of Critiques Metaphysical Murmurs Antonioni and Hitchcock - The Image on the Run O Guesa Copacabana Mon Amour Nietzsche em Nice Memories of Helen Maria Bethânia - As Canções Que Você Fez Pra Mim Pitico Tempo Perdido
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