Júlio Eduardo Bressane de Azevedo (Rio de Janeiro, February 13, 1946 ) is a Brazilian filmmaker and writer.
A representative of the Brazilian Cinema Marginal, he began making films as an assistant director of Walter Lima Jr., in 1965. In 1967, Bressane debuted as director with Face to Face, being selected for the Festival of Brasilia. In 1970, he founded Belair Movies in company with fellow filmmaker Rogério Sganzerla. They chose a model of making films and low-cost production and thereby managed to run six feature films in just six months.
He came into exile in London in the early 1970s, but returned to Brazil several years later and made one film after another, using slapstick and debauchery as its main features. An acclaimed film of this period was the provocative Tabu, released in 1982. Critics consider Bressane the most scholarly of the Brazilian film directors, and his work is notable for the diversity of its narrative language. Another feature of his filmography is the comprehensive approach to historical and literary characters. He is also noted by his low-budget, short-time shootings, with an average of 11 to 14 days to make and edit a film.
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Directing
193
Male
1946-02-13
Rio de Janeiro, Rio de Janeiro, Brazil
Julio Bressane
The Queen of the Night
A Mulher da Luz Própria
Drumming Beat of the Stars
Sentimental Education
Chinese Viola
Strade perdute - Filmmaker 23
Ver Viver Reviver
About Cinema
Quando a Coisa Vira Outra
Galáxia Albina
Horror Palace Hotel
The Long Voyage of the Yellow Bus
50 minutos e 23 segundos com Júlio Bressane
A Miss e o Dinossauro
Talking Cinema
Earth
Avacalha e se Esculhamba
The Agony
Lágrima Pantera: A Míssil
Copacabana, Mon Amour: A Restauração
A Linguagem do Cinema
Nietzsche Sils Maria Rochedo de Surlej
A Vermelha Luz do Bandido
Belair
Naive Cinema
Brás Cubas
Torquato Neto, O Anjo Torto da Tropicália
Candango: Memoirs from a Festival
Tabu
Dark Galaxy
Il vento del cinema
Nietzsche em Português
Phantom of the Opera
Dunas do Barato
Capitu and the Chapter
Quem Seria o Feliz Conviva de Isadora Duncan?
Cleopatra
The Herb of the Rat
A Love Movie
The Angel Was Born
São Jerônimo
Beduíno
Lima Barreto: Trajetória
King of the Cards
A Fada do Oriente
Days of Nietzsche in Turin
Killed the Family and Went to the Movies
Miramar
The Hullabaloo Family
Sermões
Venice 70: Future Reloaded
Aperana Street 52
The Giant of America
Baron Olavo, The Horrible
O cinema do cinema – Criação e recriação da imagem no filme cinematográfico
The Mandarin
Face to Face
Crazy Love
Memoirs of a Strangler of Blondes
Rudder of Destiny
Watch Out, Madame
Ideogram
Oswaldianas
O Monstro Caraíba
Brazil Year 2000
Kid
Bethânia Bem de Perto: A Propósito de um Show
Sob o céu, sob o sol, Salvador
Cidade pagã
Maria Bethânia: As Canções Que Você Fez Pra Mim
Terra incógnita
Carnaval na Lama
Passagem em Ferrara
Seduction of the Flesh
Flashes of Critiques Metaphysical Murmurs
Antonioni and Hitchcock - The Image on the Run
O Guesa
Copacabana Mon Amour
Nietzsche em Nice
Memories of Helen
Maria Bethânia - As Canções Que Você Fez Pra Mim
Pitico
Tempo Perdido