Maximillian Oppenheimer (6 May 1902 – 26 March 1957) — known as Max Ophüls — was an influential German film director who worked in Germany (1931–33), France (1933–40), the United States (1947–50), and France again (1950–57). He is best known for his smooth camera movements and complex tracking shots. Many of his films are narrated from the point of view of the female protagonist. In addition to the American romantic melodrama Letter from an Unknown Woman (1948), the French productions La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de... (1953) and Lola Montès (1955) are among his best-known works. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.
Directing
45
Male
1902-05-06
Saarbrücken, Saarland, Germany
Max Ophuls, Max Opuls, 막스 오퓔스, 막스 오풀스, Maximillian Oppenheimer
Letter from an Unknown Woman
The Earrings of Madame de...
The Reckless Moment
Lola Montès
Le Plaisir
Caught
Liebelei
There's No Tomorrow
La Ronde
Everybody's Woman
The Exile
The Novel of Werther
The Bartered Bride
Yoshiwara
Laughing Heirs
The Trouble with Money
Divine
From Mayerling to Sarajevo
Chopin's Brilliant Waltz
The Tender Enemy
A Man Has Been Stolen
The Company's in Love
Love Story
I'd Rather Have Cod Liver Oil
Ave Maria de Schubert
L'école des femmes