Lynne Sachs makes films, performances, installations and web projects that explore the intricate relationship between personal observations and broader historical experiences by weaving together poetry, collage, painting, politics and layered sound design. Since 1994, her five essay films have taken her to Vietnam, Bosnia, Israel and Germany — sites affected by international war–where she tries to work in the space between a community’s collective memory and her own subjective perceptions. Strongly committed to a dialogue between cinematic theory and practice, Lynne searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with each and every new project. Since 2006, she has collaborated with her partner Mark Street in a series of playful, mixed-media performance collaborations they call The XY Chromosome Project. In addition to her work with the moving image, Lynne co-edited the Millennium Film Journal issue on “Experiments in Documentary”. Supported by fellowships from the Guggenheim, Rockefeller and Jerome Foundations and the New York State Council on the Arts, Lynne’s films have screened at the New York Film Festival, the Sundance Film Festival and Toronto’s Images Festival as well as a five-film survey at the Buenos Aires Film Festival. The San Francisco Cinematheque recently published a monograph with four original essays in conjunction with a full retrospective of Lynne’s work. In 2012, Lynne began a series of live film performances of Your Day is My Night at St. Nick’s Alliance in Greenpoint, at Proteus Gowanus in Brooklyn, at Maysles Cinema and at the University Settlement. She then screened the completed hour-long hybrid video at the Museum of Modern Art, the Vancouver Film Fest, Union Docs, the New Orleans Film Fest and other venues in Mexico, Argentina and Ecuador. Lynne teaches experimental film and video at New York University and The New School and lives in Brooklyn.
Directing
81
Female
1961-08-10
Memphis, Tennessee, USA
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Film About a Father Who
Film Hawk
Window Work
Which Way Is East: Notebooks from Vietnam
The House of Science: A Museum of False Facts
Tomorrow Doesn't Exist
Every Contact Leaves a Trace
States of UnBelonging
A Month of Single Frames
Your Day Is My Night
E•pis•to•lar•y: letter to Jean Vigo
Maya at 24
Swerve
Visit to Bernadette Mayer’s Childhood Home
Fossil
The Tarot
Figure and I
Drift and Bough
Photograph of Wind
The Small Ones
A Biography of Lilith
Starfish Aorta Colossus
Contractions
Investigation of a Flame
Noa, Noa
Same Stream Twice
The Task of the Translator
The Last Happy Day
Drawn and Quartered
Georgic for a Forgotten Planet
First Steps in a Terra Incognita
Cuadro por cuadro
Sound of a Shadow
Following the Object to Its Logical Beginning
Still Life with Woman and Four Objects
Atalanta: 32 Years Later
Tornado
Sermons and Sacred Pictures
Tip of my Tongue
XY Chromosome Project
Day Residue
Carolee, Barbara and Gunvor
Wind in Our Hair
The Randy Band Film
The Washing Society
A Morning with Jack Waters
¡Despertar!
And Then We Marched
Girl Is Presence
A Year in Notes and Numbers
The Jitters
This Side of Salina