Some painters and sculptors approach our art with a kind of chauvinistic arrogance. Their use of film, however interesting as documentation, is fundamentally exploitative. Robert Huot has been one of the most inventive and rigorous of the younger generation of radical painters. He brings the same attributes to film, along with an inquisitiveness that is by no means cautious. He tries, not to exploit film, but to find out what film is. Huot's films will seem 'simple' to many. In fact, he is doing basic work that we film-makers ought to have done for ourselves decades ago, work that is both an addition and a reproach to film art.
Directing
43
Male
Unknown
Staten Island, NY
—
Zorns Lemma
Manual of Arms
Notes 1984, Part.3
Rolls: 1971
Turning Torso Drawdown
Third One Year Movie, 1972
Snow
Scratch
Beautiful Movie
Black and White Film
From Loops
Nude Decending the Stairs
Fades and Close-Ups
Cross-Cut–A Blue Movie
Face of Faces
Erotic Trilogy
Red Stockings
Cum Foo
One Year
Spray
Dark, Scenes from the Barn
Diary: 1979, Part 1
Super 8 Diary - 1987
Super 8 Diary - 1989
Super 8 Diary - 2007
Diary 1974-1975
Super 8 Diary - 1996
Super 8 Diary - 1982
Super 8 Diary - 1990
Super 8 Diary - 2006
Super 8 Diary - 1994
Sound Movie
Super 8 Diary - 1986
Super 8 Diary - 1988
Super 8 Diary - 1991
Super 8 Diary - 1993
Super 8 Diary - 2000
Super 8 Diary - 2003
Super 8 Diary - 1985
Super 8 Diary - 2010
Super 8 Diary - 1984
Hollis Frampton 1936-1984
Super 8 Diary - 2009