Narcisa Hirsch (née Heuser, born 1928) is an Argentine experimental filmmaker of German birth. Her work centered on themes of the body, love, sex, death, movement, and the female gaze. Despite this focus on women, she has resisted being labeled as a feminist. She began as a painter, and but her later and better known work centers on performance and film, though she has also written several books. She cites Salvador Dalí and Luis Buñuel as influences to her experimental film work, as well as the Bauhaus artists of Germany. During her time as an experimental filmmaker in Argentina, she frequented the Di Tella Institute and the Goethe Institute, a place where many of her works premiered. Recenlty, her work has been honored through several retrospectives at international film festivals, though it was relatively unknown outside of exclusive circles when it first premiered.
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Directing
81
Female
1928-01-16
Berlin, Germany
—
Narcisa
El Mito de Narciso
Herbaria
El refugio de Narcisa Heuser
time/ OUT OF JOINT
Butoh
Yo veo conejos
Reflejo Narcisa
El Aleph
Marabunta
Apples
Tambores en la plaza
Muñecos (Have a baby)
Pradera
Descendencia
la velocidad del tiempo
Orpheus and Eurydice
Rafael agosto 1984
Aigokeros
Warnes
Pocos son los que conocen el secreto del amor
Retrato de Marta Minujín
Diarios Patagónicos 2
Mundial 78
Pichón en el Obelisco
Edgardo
Postal Austria
Patagonia
Mujeres
The Bengali Night
Para Virginia
AMA-ZONA
Rumi
Homecoming
Workshop
A-Dios
Testamento y vida interior
Rumi
Come Out
Diarios Patagónicos 1
Kosmos
Andrea 1973
Rafael, 1975
Paddock
Pioneros
Celebración
El erotismo del tiempo
Neapolitan Songs
Mundial
Portraits
Pink Freud
Retrato de una artista como ser humano
Myst
Los chicos y la calle
Ana, ¿Dónde Estás?
Chicos 1969
Aída
Rafael in Rio
Surely Bach Closed the Door When He Wanted to Work
Bariloche. Fotos byn
Ulises
Patagonia
Señales de vida
Capricornio 78
Narcisa Hirsch: Experimental Films
Descartes: Filmo, luego existo