Edith Kiel (1904–1993) was a German‑Belgian screenwriter, film editor, director, and producer who played a key role in the early development of Flemish sound cinema. She was born on 30 June 1904 in Berlin and died on 12 September 1993 in Belgium.
She began her career at the German film studio UFA before meeting filmmaker Jan Vanderheyden, with whom she formed both a lifelong partnership and one of the most influential creative collaborations in early Flemish cinema. She wrote the screenplay for De Witte (1934)—the first major Flemish sound film—and also directed it, though she did not receive formal credit at the time.
Throughout the 1930s and 1940s, Kiel shaped many of the popular Flemish folk films associated with the “Jan Vanderheyden film” tradition. She contributed to screenwriting, directing, editing, and production, often remaining uncredited due to prejudice against women, foreigners, and unmarried partners in key creative roles.
After World War II, she continued working in Belgium and later in Germany, eventually gaining more public recognition—especially during the 1950s through the Antwerpse Filmonderneming (AFO), where she directed and wrote several films under her own name.
Directing
77
Female
1904-06-30
Berlin, Germany
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The Blue Angel
Een Zonde Waard
Een Engel Van Een Man
Antoon, de flierefluiter
De Duivel Te Slim
De wonderdoktoor
The Silent Hedonist
The Bargee District
Music in the Harbour
Janssens versus Peeters
Good Luck, Monique!
White is Trump
Min of meer
Villain princess
Janssens en Peeters dikke vrienden
Uilenspiegel Still Lives
Antwerp Through and Through
Met den helm geboren
Rendez-vous in het paradijs
Uit hetzelfde nest
Heaven on Earth
My Husband Wouldn't Do That
The Mockingbird
Drie flinke kerels
Alleen voor U
The Dafter the Better
Whitey
Mister Dingemans and madam Babbel are having fun in Brussels
De bruid zonder bed
A Nice Case
The Girl and the Madonna
De moedige bruidegom