Largely misunderstood, at best considered a little master of an Italian cinema in full revival after the war thanks to neo-realism, Raffaello Matarazzo is nevertheless the author of some sumptuous melodramas whose success was spectacular in post-fascist Italy. Matarazzo started writing film reviews for the Roman newspaper Il Tevere before re-editing scripts for the Italian film company Cines. His first films were comedies until he shifted to making melodramas. With Catene, produced by Titanus in 1949, he became the most successful director in Italy. Audience loved his melodramas. Critics, however, have tended to disparage his work, saying that Matarazzo films were Neorealismo d'appendice. Since the 1970s, some film critics have tried to restore Matarazzo's reputation. French magazine Positif loved his erotic-historical peplum The Ship of Lost Women.
Directing
90
Male
1909-08-17
Rome, Italy
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Tourist Train
Empezó en boda
Cerasella
The White Angel
Nobody's Children
Torna!
The Ship of Condemned Women
Chains
Tormento
Giuseppe Verdi
The Intruder
I terribili sette
Giorno di nozze
He Who Is Without Sin...
Rice Girl
Melancholy Autumn
Littoria
The Opium Den
Daddy's Little Devil
L'imprevisto
Paolo e Francesca
Trappola d'amore
I Was to Blame
The Adventuress from the Floor Above
Mussolinia di Sardegna
Sabaudia
Vortice
The Last Violence
Adultero lui, adultera lei
Lo sciopero dei milioni
Amore mio
The Serpent's Fang
Lieutenant Giorgio
The Hotel of the Absent
The Slave of Sin
Joe il Rosso
L'anonima Roylott
Guai ai vinti
Giù il sipario
Dora la espía
Notte di fortuna
Il marchese di Ruvolito