Ernst Wilhelm "Wim" Wenders (born 14 August 1945) is a German filmmaker and playwright, who is a major figure in New German Cinema. Among the honors he has received are prizes from the Cannes, Venice and Berlin film festivals. He has also received a BAFTA Award and been nominated for three Academy Awards and a Grammy Award.
Wenders made his feature film debut with Summer in the City (1970). He earned critical acclaim for directing the films Alice in the Cities (1974), The Wrong Move (1975), and Kings of the Road (1976), later known as the Road Movie trilogy. Wenders won the BAFTA Award for Best Direction and the Palme d'Or for Paris, Texas (1984) and the Cannes Film Festival Best Director Award for Wings of Desire (1987). His other notable films include The American Friend (1977), Faraway, So Close! (1993), and Perfect Days (2023).
Wenders has received three nominations for the Academy Award for Best Documentary Feature: for Buena Vista Social Club (1999), Pina (2011), and The Salt of the Earth (2014). He received a nomination for the Grammy Award for Best Long Form Music Video for Willie Nelson at the Teatro (1998). He is also known for directing the documentaries Tokyo-Ga (1985), The Soul of a Man (2003), and Pope Francis: A Man of His Word (2018).
Wenders has been the president of the European Film Academy since 1996 and won an Honorary Golden Bear in 2015. He is an active photographer, emphasizing images of desolate landscapes. He is considered an auteur director.
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Directing
361
Male
1945-08-14
Düsseldorf, Germany
Vimu Vendâsu, 文溫德斯, 빔 벤더스, Вим Вендерс, Вім Вендерс, ویم وندرس, Ernst Wilhelm Wenders
King Kongs Faust
Auge in Auge - Eine deutsche Filmgeschichte
Kings of the Road
Counter Shot: Departure of the Filmmakers
Film: The Living Record of Our Memory
Wings of Desire: The Angels Among Us
Lightning Over Water
Janela da Alma
Close Up
Die 2050er - Everything will change
Snowblind
Room 999
Candy Man
Without Me
The Million Dollar Hotel
Hitler in Hollywood
La torcedura
Dream Island
Tango Berlin
Ten Minutes Older: The Trumpet
Cronología
Zwischen den Zeiten
Cannes Uncut
Notebook on Cities and Clothes
Harry Dean Stanton: Partly Fiction
Report from Hollywood
Mondo Lux: The Visual Worlds of Werner Schroeter
Arisha, the Bear, and the Stone Ring
Pictures of Europe
The Night of the Filmmakers
Why Are We (Not) Creative?
One Who Set Forth: Wim Wenders' Early Years
Harry Dean Stanton: Crossing Mulholland
Fassbinder in Hollywood
Cinématon
From Our Side
Edgar G. Ulmer: The Man Off-Screen
Come With Me to the Cinema – The Gregors
CAN and Me
The Salt of the Earth
BAM150
Zeroville
Dennis Hopper: Create (or Die)
Was heißt hier Ende? Der Filmkritiker Michael Althen
Werner Herzog: Radical Dreamer
The Heart and the Legs
Dennis Hopper's Russian Dynamite Death Chair Act
Reverse Angle: New York, March 1982
Dennis Hopper: The Decisive Moments
Back to Room 666
Bruno Ganz - The Longing Revolutionary
Still Alive: A Film About Krzysztof Kieslowski
Kleiner Mann ganz groß
Chris Marker: Never Explain, Never Complain
Edward Hopper and the Blank Canvas
French Cinema Mon Amour
Autoluminescent: Rowland S. Howard
Room 666
To Make a Film Is to Be Alive
Dennis Hopper: Uneasy Rider
The Goalie's Anxiety at the Penalty Kick
3 American LPs
A Fuller Life
Talking with Ozu
Water and Sugar – Carlo Di Palma: The Colours of Life
The Legend of the Palme d'Or
Summer in the City
Motion and Emotion: The Road to 'Paris, Texas'
Signs of Vigorous Life: The New German Cinema
Effedia - Sulla mia cattiva strada
Long Shot
Along for the Ride
Wim Wenders' Story Of His Early Years
The State of Things
Nick Cave: Straight To You - A Portrait
The Trial: The State of Russia vs Oleg Sentsov
Living the Light: Robby Müller
Motion and Emotion: The Films of Wim Wenders
Alekan, la lumière
Love and So Forth
Viaggio in Bergmania
Cannes: All Access
FreeDogme
Restoring Time
Paul Auster: What If
Tausend Augen
Wim Wenders in Tokyo
Return to Beethoven Street: Sam Fuller in Germany
Beyond the Bolex
Alekan le magnifique
Henri Langlois vu par...
The Art of Football from A to Z
Now
Three for the Road
A Trick of the Light
Wim Wenders, Desperado
Veränderung
Pope Francis: A Man of His Word
Cinématon XXII
Love in Hollywood
Alice in the Cities
Wrong Move
Helsinki Napoli All Night Long
The American Friend
A Life for Movies: Lotte Eisner
Good Morning, the Wind Blows
Cinématon n°212 : Wim Wenders
What Do You Know About Me
High Maintenance
Now is Now: Wim Wenders on 'Perfect Days'
Why Are We Creative?
The Keys to Freedom
A Weekend at the Beach
The Ozu Diaries
Wim Wenders: Der ewig Suchende
In Bildern leben - Die filmischen Reflexionen des Wim Wenders
Leçon de cinéma avec Wim Wenders
La nostra magnifica ossessione - Bernardo Bertolucci e la sua generazione
Films to Die For
Plankton Salesmen
Filmstudio, mon amour
De droomproducenten
Wings of Desire
Lisbon Story
Land of Plenty
Paris, Texas
Until the End of the World
Faraway, So Close!
Don't Come Knocking
The End of Violence
Buena Vista Social Club
Palermo Shooting
Hammett
To Each His Own Cinema
The Scarlet Letter
Egoshooter
Lumière & Company
8
Invisibles
Pina
Tokyo-Ga
The Soul of a Man
Half the Rent
Perfect Days
Alabama (2000 Light Years)
Invisible World
Cathedrals of Culture
Every Thing Will Be Fine
Some Body Comes Into the Light
Schauplätze
Same Player Shoots Again
BAP - Ode to Cologne
The Beautiful Days of Aranjuez
Polizeifilm
Submergence
Silver City Revisited
A Black Jesus
From the Family of Reptiles
The Island
June Moon
Il Volo
Invisible Crimes
Ver ou Não Ver
The Berlin Philharmonic
Anselm
Willie Nelson at the Teatro
Klappenfilm
Música Cubana
Two or Three Things I Know about Edward Hopper
Am Spätnachmittag des folgenden Tages erwachte Joe in einem billigen Hotelzimmer - Andy schläft noch ...
Ein bißchen Liebe
Iron Earth, Copper Sky
Go for Gold!
The Absence
...als Diesel geboren
Über Gott, Alfi und Mexico
Nicholas Ray: Especially for Pierre
Victor I.
Kaspar Hauser
If Buildings Could Talk
One Morning All Over the World
Fools
Fools
Mutiny in Heaven: The Birthday Party
Red Hot + Blue: A Tribute to Cole Porter
The Left-Handed Woman
Das Geheimnis der Orte
I'll Be Gone in June
Présence