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Robert Fischer

Robert Fischer

Biography

Personal Info

Known For

Directing

Known Credits

183

Gender

Male

Birthday

1954-10-02

Place of Birth

Greven, Germany

Also Known As

Known For

Daniel, the Wizard Kurosawa and the Censors Monsieur Truffaut Meets Mr. Hitchcock The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz Contract Kid: William Reynolds on Douglas Sirk Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’ Of Love and Constraints Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood Acting for Douglas Sirk Ted Kotcheff's Gourmet Cinema Fassbinder in Hollywood Pure Cinema: Joe Napolitano on Brian De Palma's Body Double Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer Requiem for a Killer: The Making of 'Blast of Silence' Return to Philadelphia: George Litto on 'Blow Out' Rag Doll Memories: Nancy Allen on 'Blow Out' Black and White in Color: Vilmos Zsigmond on 'Blow Out' Traveling Roadshow Jack Arnold Remembers The Incredible Shrinking Man The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited Touching Death: Alejandro Amenábar on 'Tesis' Program Notes: An Introduction To The Last Detail By Alexander Payne A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail' Starting Out: The Making of Jerzy Skolimowski's Deep End A Winter's War: Keith Gordon on 'A Midnight Clear' Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram Hans Fromm on 'Phoenix' Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss Last of the Independents: Don Siegel and the Making of 'Charley Varrick' Sucker Punch Blues: A Look Back on John Huston's 'Fat City' Painting with Light: Nicholas von Sternberg on Josef von Sternberg The Mysteries of Paris: Jacques Rivette's Out 1 Revisited Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern' Before Taking Off: Milos Forman’s Road to America Perspectives on Othello: Joseph McBride on Orson Welles Will He Live or Will He Die: Walter Hill on Southern Comfort Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak The Beast Inside: Creating 'Wolf' Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco' Making an American Movie Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury' Men of Mystery Reviving Harry Lime Swan Song: The Story of Billy Wilder's Fedora A Tribute to Douglas Sirk by Allison Anders Beyond Melodrama: Kathryn Bigelow on Douglas Sirk Circles of Desire: Alan Williams on Max Ophuls' "La Ronde" Working with Max Ophuls: Tony Aboyantz, Assistant Director Working with Max Ophuls: Daniel Gélin on "La Ronde" Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir Le Plaisir: From Script to Screen Working with Max Ophuls: Daniel Gélin on "Le Plaisir" Working with Max Ophuls: Robert Christidès, Set Decorator Working with Max Ophuls: Marc Frédérix, Assistant Decorator Working with Max Ophuls: Alain Jessua on the Making of Madame de... Working with Max Ophuls: Annette Wademant, Co-Writer Working with François Truffaut: Nestor Almendros, Director of Photography The Poet and the Filmmaker: Volker Schlöndorff on Baal Dalton Trumbo: Rebel in Hollywood A Cinema of Signs: Claude Chabrol on Alfred Hitchcock Love Letters 'Deep End': Remembering the Deleted Scenes Life As It Is: Miloš Forman on Miloš Forman Return to Beethoven Street: Sam Fuller in Germany Rumble on the Lot: Walter Hill's Streets of Fire Revisited Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury' The Fury: A Location Journal Erinnerungen an 'Väter und Söhne' Outer Movement, Inner Movement The Making of Highlander Expedition Amazonia About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail' Maternal Overdrive
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