Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke, December 5, 1912 – December 30, 1998) was a Japanese film director.
Hugely popular in his home country of Japan, Keisuke Kinoshita worked tirelessly as a director for nearly half a century, making lyrical, sentimental films that often center on the inherent goodness of people, especially in times of distress. He began his directing career during a most challenging time for Japanese cinema: World War II, when the industry’s output was closely monitored by the state and often had to be purely propagandistic. He refused to be bound by genre, technique, or dogma. Kinoshita excelled in almost every genre: comedy, tragedy, social dramas, period films. He shot all films on location or in a one-house set. He pursued severe photographic realism with the long take, long-shot method, and went equally far toward stylization with fast cutting, intricate wipes, tilted cameras, and even classical scroll-painting and Kabuki stage technique.
Kinoshita was highly prolific, turning out some 42 films in the first 23 years of his career. For this, Kinoshita explained that he "can’t help it. Ideas for films have always just popped into my head like scraps of paper into a wastebasket." While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s.
Although few concrete details have emerged about Kinoshita's personal life, his homosexuality was widely known in the film world. Screenwriter and frequent collaborator Yoshio Shirasaka recalls the "brilliant scene" Kinoshita made with the handsome, well-dressed assistant directors he surrounded himself with. His 1959 film Farewell to Spring (Sekishuncho) has been called "Japan's first gay film" for the emotional intensity depicted between its male characters.
Kinoshita received the Order of the Rising Sun in 1984 and was awarded the Order of Culture in 1991 by the Japanese government. He died on December 30, 1998, of a stroke. His grave is in Engaku-ji in Kamakura, very near to that of his fellow Shochiku director, Yasujirō Ozu.
Directing
125
Male
1912-12-05
Shizuoka, Japan
木下正吉 (本名), 木下恵介, Кэйскэ Киносьта, Кэйсукэ Киносита, Кэйскэ Киносита, 키노시타 케이스케, 기노시타 케이스케, کیسوکه کینوشیتا, Shōkichi Kinoshita
Twenty-Four Eyes
I Lived, But...
A Japanese Tragedy
Phoenix
Here's to the Young Lady
Carmen Comes Home
Morning for the Osone Family
She Was Like a Wild Chrysanthemum
Sing, Young People!
Boyhood
Apostasy
The Portrait
The Ballad of Narayama
Farewell to Dream
Woman
A Legend or Was It?
Jubilation Street
Army
Children of Nagasaki
The Snow Flurry
The Rose on His Arm
Five Siblings
Otoko no iki
The Tattered Wings
Carmen's Innocent Love
Big Joys, Small Sorrows
Broken Drum
Danger Stalks Near
The Eternal Rainbow
Farewell to Spring
Father
Fireworks Over the Sea
The Garden of Women
The Girl I Loved
The Good Fairy
The Living Magoroku
Oh, My Son!
The River Fuefuki
Spring Dreams
Thus Another Day
Wedding Ring
Yotsuya Ghost Story Part 1
Yotsuya Ghost Story Part 2
The Young Rebels
Times of Joy and Sorrow
The Scent of Incense
Port of Flowers
Ballad of a Workman
Eyes, the Sea and a Ball
Marriage
While Yet a Wife
Love and Separation in Sri Lanka
Immortal Love
This Year's Love