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Juliet Stevenson

Juliet Stevenson

Biography

From Wikipedia

Juliet Anne Virginia Stevenson, CBE (born 30 October 1956) is an English actor of stage and screen.

Personal Info

Known For

Acting

Known Credits

87

Gender

Female

Birthday

1956-10-30

Place of Birth

Essex, England, UK

Also Known As

Juliet Anne Virginia Stevenson

Known For

Bend It Like Beckham In Search of Haydn Mona Lisa Smile Infamous Drowning by Numbers Desert Flower Russia's Open Book: Writing in the Age of Putin Food of Love Walls Like Windows Pierrepoint: The Last Hangman Orangutans: The Great Ape Escape And When Did You Last See Your Father? Red Mercury The Secret of Moonacre Truly Madly Deeply The Trial B.P. Confidential A Previous Engagement Life Story The Pact The Snow Queen Play Diana Trial by Fire Stanley Stone, Scissors, Paper On Angel Wings The Letters The Secret Rapture Cider with Rosie In Search of Mozart The Burning Season Evita: A Grave Without Peace The Legends of Treasure Island Cult Killer Out Of Love A Doll's House Ladder of Swords Christmas Carol: The Movie Reawakening In Search of Chopin Offensive: The Real Derek and Clive Love Is Thicker Than Water Ceres Departure The March Triage Treasure Island The Kidnapping of Elizabeth Smart Breaking and Entering The Search for John Gissing Hear the Silence The Very Hungry Caterpillar and Other Stories The Mallen Secret Being Julia Let Me Go Nicholas Nickleby Emma In Search of Beethoven The Road from Coorain A Promise to the Dead: The Exile Journey of Ariel Dorfman The Mallen Curse Living with Dinosaurs 1066: A Year to Conquer England Dustbin Baby Hamlet Russia 1917: Countdown to Revolution Theban Plays: Oedipus at Colonus Theban Plays: Antigone London Unplugged The Portrait Pericles, Prince of Tyre John Wyndham: The Invisible Man of Science Fiction Sea Sorrow Paris Was a Woman The Hunt for the Camden Ripper Aimée Four The Mallens Rhoda Papa, Please Get The Moon For Me Penelope National Theatre at Home: The Land of the Living Elsinore A Talent for a Murder Check the Gate: Putting Beckett on Film The Beginning of the End of the Affair
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