Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget.
In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young director Michael Powell.
Directing
66
Male
1892-01-15
Dublin, Ireland
Reginald Ingram Montgomery Hitchcock, Rex Hitchcock
Beau Brummel
The Moonshine Maid and the Man
Mary of the Movies
Snatched from a Burning Death
The Evil Men Do
Baroud
Camille: The Fate of a Coquette
The Four Horsemen of the Apocalypse
Humdrum Brown
The Magician
Scaramouche
Under Crimson Skies
The Song of Hate
The Prisoner of Zenda
The Conquering Power
Mare Nostrum
The Arab
Where the Pavement Ends
Black Orchids
Baroud
The Three Passions
The Garden of Allah
The Chalice of Sorrow
The Flower of Doom
Trifling Women
Broken Fetters
The Great Problem
The Reward of the Faithless
L'évadée
The Little Terror
Turn to the Right
The Pulse of Life
The Day She Paid
Shore Acres
Hearts Are Trumps
The Galley Slave
His Robe of Honor