A highly regarded editor (he cut the classic Sunrise (1927) ), Harold D. Schuster started out in films as an actor. It didn't take him long to abandon that career, and he turned to the production side of the business, working his way up to editor and eventually taking the reins as a director. While much of his directorial output is routine, there are some real gems scattered throughout. My Friend Flicka (1943) is a beautiful, serene tale of a boy and a spectacular horse and was a major success in its day. Although typed as an "outdoors" director, Schuster could turn out tough, gritty little thrillers when he wanted to, such as Loophole (1954), about a bank teller who gets framed for an embezzlement; it ranks right up there with the edgy crime dramas of Don Siegel and Phil Karlson. Schuster's western Dragoon Wells Massacre (1957), despite its potboiler title, is a sharp, well-paced effort about two disparate groups of travelers who must band together to fight off rampaging Indians. Good writing, a rousing score and Schuster's tight direction raise this several notches above the product normally churned out by its studio, the usually low-grade Allied Artists. Schuster eventually turned to series television, and finished out his career there.
Directing
53
Male
1902-08-01
Cherokee, Iowa, USA
Charles Fuhr, Harold Schuster
The Iron Horse
Loophole
So Dear to My Heart
Portland Exposé
Finger Man
My Friend Flicka
Dinner at the Ritz
Dragoon Wells Massacre
Tarzan's Hidden Jungle
Girl Trouble
On the Sunny Side
Framed
The Postman Didn't Ring
Breakfast in Hollywood
Security Risk
Wings of the Morning
The Return of Jack Slade
Jack Slade
Marine Raiders
Courage of Black Beauty
Exposed
Small Town Deb
Kid Monk Baroni
Bomber's Moon
Swing That Cheer
Ma, He's Making Eyes at Me!
Diamond Frontier
Queer Cargo
The Power of the Resurrection
The Tender Years
Port of Hell
A Very Young Lady
Zanzibar
One Hour to Live
South to Karanga
Down Liberty Road