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Helena Ignez

Biography

Helena Ignez (Salvador, May 23, 1939) is a Brazilian actress and filmmaker.

Helena was born in Salvador, Bahia and was attending her second year of law school when she fell in love with theater and decided to study the Dramatic Arts at the Federal University of Bahia. At the time, the Bahian theater scene was breaking with traditional Brazilian theater and experiencing strong influence from the young vanguard. She first appeared on the screen in Glauber Rocha's short film "Pátio".

Helena acted in a few films associated with the Cinema Novo movement, such as "A Grande Feira" (1961), "Assalto ao Trem Pagador" (1962), and "O Padre e a Moça" (1966) before playing Janete Jane in O Bandido da Luz Vermelha by Rogério Sganzerla. After this film, she would perform in some most significant films in the Cinema Marginal movement, which directly opposed the critically acclaimed Cinema Novo -- the most remarkable being her role as Ângela Carne e "Osso in A Mulher de Todos" (1969).

She also was a financial partner of Rogério Sganzerla and fellow Cinema Marginal filmmaker Júlio Bressane in the short-lived, although prolific, Belair production company. Between 1968 and 1970, Sganzerla and Ignez made almost a dozen films together and were also married and had two children -- one of which would become actress Djin Sganzerla.

As a filmmaker, Ignez has directed 7 films, the most notable being "Luz das Trevas" (2010), a sequel to Sganzerla's debut feature "O Bandido da Luz Vermelha" (1968).

Personal Info

Known For

Acting

Known Credits

150

Gender

Female

Birthday

1939-05-23

Place of Birth

Salvador, Bahia, Brazil

Also Known As

Helena Ignês, Helena Inês, Helena Inez

Known For

Luz-Lux-Lúcia Joy Is the Acid Test The Good Cinema Embodiment of Evil Celebração - 100 Anos do Cinema Nacional The Mother O Pátio O Mel é Mais Doce Que o Sangue The Priest and the Girl The Hullabaloo Family The Woman of Everyone Copacabana Mon Amour The Sign of Chaos Memoirs of a Strangler of Blondes A Grande Feira It's Not All True A Balada do Provisório No Way, Spider Hotel Atlântico Helena de Guaratiba Baron Olavo, The Horrible Face to Face Meu Mundo em Perigo Watch Out, Madame Assault on the Pay Train Not Even God Is As Fair As Your Jeans The End of an Age Paixão e Virtude Glauber Rocha - The Movie, Brazil's Labyrinth Love Film Festival B2 O Engano The Red Light Bandit Oswaldianas Spray Jet Grito da Terra Rio de Topless A Última Vanguarda Scent of Gardenias Memórias do Grupo Opinião Nelson Carneiro: Knight of Democracy São Jerônimo Retrato da Terra Carnaval na Lama The Outsiders If I'm Here It Is by Mystery Abry The Long Voyage of the Yellow Bus Ralé: The Lower Depths Sinais de Cinza, A Peleja de Olney Contra o Dragão da Maldade Helena Zero A Miss e o Dinossauro Mr. Sganzerla: Os Signos da Luz A Man and His Cage O Cinema Foi à Feira Anônimo e incomum Avacalha e se Esculhamba Febre Antes do Fim My Calendar Girl All Paulos in the World - Paulo José The Monsters of Babaloo Mulheres de Cinema Flying Geraldo Venus – Filly the Lesbian Little Fairy Terno Copacabana, Mon Amour: A Restauração A Mulher da Luz Própria Flesh A Vermelha Luz do Bandido The Welles Raft Extracts Estátua! O Desmonte do Monte Ensaio Sobre o Fracasso Natureza Morta Ossos Poder dos Afetos Reinvenção da Rua Bring me the Head of Carmen M. A Bela P... Esse fim de semana vou me dedicar as paredes Fogo Baixo, Alto Astral Perigo Negro Brazilian Cinema in the 20th Century In Memoriam: O Roteiro do Gravador Race Antenna Desculpa, Dona Madama Candango: Memoirs from a Festival Mulher Oceano Ugly, Me? Subterrânea The Lady Who Died in the Trailer Um Documentário Brasileiro Inaudito Nova Pasta, Antigo Baú Benjamim Zambraia e o Autopanóptico Light in Darkness: The Return of Red Light Bandit Um Intruso no Paraíso Belair Flesh Trópico de Leão Deuses da Peste Fakir Gravidade Message from Sergipe Eclipse Nosferatu Lost Media A Film to Remind Us of Utopia Helena! Cinema! Cartas Para Rian Canção de Baal
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