Joyce Wieland (1931-1998) was an experimental filmmaker and artist, whose work challenged and bridged boundaries among avant garde film factions of her time. Her works introduced a kind of manual manipulation of the filmstrip that inscribed an explicitly female craft tradition into her films, while also playing with the facticity of photographed images. Wieland's output was small, but received considerable attention in comparison to other female avant garde filmmakers of her time. As both a gallery artist and a filmmaker, Wieland was able to crossover between those realms and garner attention and support in both.
In 1963 Wieland and Snow moved to New York where they lived for ten years. She attracted critical recognition of her work but eventually moved back to Toronto. Wieland later divorced Snow and kept a low profile until her death in 1998 from Alzheimer's disease. She was made an Officer of the Order of Canada in 1982.
Directing
44
Female
1930-06-30
Toronto, Canada
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Seminar
Home Movies 1971-81
The Sky Socialist
Back and Forth
A and B in Ontario
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
Knocturne
Standard Time
Portrait of Snow
Wavelength
Water Sark
Manual of Arms
Zorns Lemma
The Mammal Palace
Artist on Fire: Joyce Wieland
Reason Over Passion
Cat Food
Rat Life and Diet in North America
Sailboat
Birds at Sunrise
Patriotism Part II
Patriotism
1933
Dripping Water
Hand Tinting
Solidarity
Barbara’s Blindness
Pierre Vallières
Peggy's Blue Skylight
Larry's Recent Behaviour
The Far Shore
Bill's Hat
For Life, Against the War