Carlos Saura Atarés (4 January 1932 – 10 February 2023) was a Spanish film director, photographer and writer. With Luis Buñuel and Pedro Almodóvar, he is considered to be among Spain's great filmmakers. He had a long and prolific career that spanned over half a century, and his films won many international awards.
Saura began his career in 1955 making documentary shorts. He gained international prominence when his first feature-length film premiered at Cannes Film Festival in 1960. Although he started filming as a neorealist, Saura switched to films encoded with metaphors and symbolism in order to get around the Spanish censors. In 1966, he was thrust into the international spotlight when his film The Hunt won the Silver Bear at the Berlin International Film Festival. In the following years, he forged an international reputation for his cinematic treatment of emotional and spiritual responses to repressive political conditions.
By the 1970s, Saura was the best known filmmaker working in Spain. His films employed complex narrative devices and were frequently controversial. He won Special Jury Awards for Cousin Angelica (1973) and Cría Cuervos (1975) in Cannes, and he received an Academy Award for Best Foreign Language Film nomination in 1979 for Mama Turns 100.
In the 1980s, Saura was in the spotlight for his Flamenco trilogy – Blood Wedding, Carmen and El amor brujo, in which he combined dramatic content and flamenco dance forms. His work continued to be featured in worldwide competitions and earned numerous awards. He received two nominations for Academy Awards for Best Foreign Language Film for Carmen (1983) and Tango (1998). His films are sophisticated expression of time and space fusing reality with fantasy, past with present, and memory with hallucination. In the last two decades of the 20th century, Saura concentrated on works uniting music, dance and images.
Directing
136
Male
1932-01-04
Huesca, Aragón, Spain
카를로스 사우라
Goya, Carrière & the Ghost of Buñuel
Carlos Saura - Fotograf
Pablo G. del Amo, un montador de ilusiones
Portrait of Carlos Saura
Aragón rodado
The Walls Can Talk
Donde acaba la memoria
Miradas del cine español
Tras Nazarin: Following Nazarin
In the Lost City
Antonio Gades, la ética de la danza
24 horas en la vida de Querejeta
Rafael Azcona
The Little Apartment
Saura(s)
Searching for Ingmar Bergman
Carlos Saura's FlamencoHoy
Critic
Buñuel
Navajeros, censores y nuevos realizadores
Matilde Coral, acariciando el aire
Eduardo Ducay: el cine que siempre estuvo ahí
Speaking of Buñuel
Les paradoxes de Buñuel
Goyasaurio
El proceso
The Kid in the Photo - Carlos Saura
Outrage
Bunuel and King Solomon's Table
Fados
Flamenco
Ay, Carmela!
The 7th Day
El amor brujo
Carmen
Blood Wedding
Antonieta
Tango
Faster, Faster
Cousin Angelica
El Dorado
Taxi
Cria!
Sevilles
Flamenco Flamenco
Renzo Piano, an Architect for Santander
I, Don Giovanni
Peppermint Frappé
Iberia
Salomé
Mama Turns 100
Anna and the Wolves
Stress Is Three
The Garden of Delights
Elisa, My Life
Little Bird
The Hunt
Goya in Bordeaux
The Dark Night of the Soul
Blindfolded Eyes
The Delinquents
The Stilts
Rosa Rosae. A Spanish Civil War Elegy
Honeycomb
Weeping for a Bandit
Goya, May 3rd
Argentina
Sweet Hours
Muere una mujer
El pequeño Río Manzanares
J: Beyond Flamenco
Sinfonía de Aragón
Cuenca
La tarde del domingo
The King of Ads
Marathon
El sur
The King of All the World
La llamada