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Hope (2026)

July 15, 2026 (KR) • Science Fiction, Mystery, Action • 157m

Overview

In the remote South Korean village of Hope Harbor, police chief Bum-seok and officer Sung-ae are called to investigate a mysterious creature wreaking havoc on the community. But all is not as it seems, and perceptions can be misleading. What begins as ignorance plants the seed of disaster, escalating through human conflict into a tragedy of cosmic proportions.

Director

Na Hong-jin

Writer

Na Hong-jin

Top Billed

Hwang Jung-min

Keywords

Top Billed Cast

Crew
Hong Kyung-pyo
Hong Kyung-pyo

Director of Photography

Chae Ji-woong
Chae Ji-woong

Associate Producer

Michael Abels
Michael Abels

Original Music Composer

Kim Han-joon
Kim Han-joon

Visual Effects Supervisor

Kim Chang-sub
Kim Chang-sub

Supervising Sound Editor

Lee Hwo-kyoung
Lee Hwo-kyoung

Production Design

Hong Jeong-in
Hong Jeong-in

Executive Producer

Chuck Michael
Chuck Michael

Sound Designer

Park Jin-young
Park Jin-young

Digital Intermediate

Kim Sin-yong
Kim Sin-yong

Production Sound Mixer

Yoo Sang-seob
Yoo Sang-seob

Martial Arts Choreographer

Kim Seo-young
Kim Seo-young

Makeup & Hair

Cho Hee-ran
Cho Hee-ran

Costume Design

Hong Jang-pyo
Hong Jang-pyo

Special Effects Supervisor

Lee Won-haeng
Lee Won-haeng

Martial Arts Choreographer

Daniel Son
Daniel Son

Co-Producer

Kim Yoo-jin
Kim Yoo-jin

Co-Executive Producer

Razvan Gheorghiu
Razvan Gheorghiu

Stunt Coordinator

Oana Babes
Oana Babes

Production Supervisor

Paul Battle
Paul Battle

Dialect Coach

Paul Bourcart
Paul Bourcart

Weapons Master

Kevin Senzaki
Kevin Senzaki

Sound Designer

Choi Na-ri
Choi Na-ri

Art Direction

Choi Jae-hee
Choi Jae-hee

Assistant Director

Park Cheong-woo
Park Cheong-woo

Lighting Director

Hwang Hyo-kyun
Hwang Hyo-kyun

Special Effects Makeup Artist

Kwak Tae-yong
Kwak Tae-yong

Special Effects Makeup Artist

Kang Hyun-seob
Kang Hyun-seob

Line Producer



Reviews

Brent Marchant

⭐ 4/10

September 13, 2026

An old saying maintains “Never put the cart before the horse,” an observation whose implications should be obvious. That applies in filmmaking, too: When a standalone production is thought to be the inspiration for a new franchise, the creators need to be careful not to get ahead of themselves. That’s to say that the first film in the proposed series absolutely must be a knock-out to earn the right to a sequel (or sequels) (“Star Trek” notwithsta… read the rest.

Status

Released

Original Language

KO

Budget

$46,000,000

Revenue

$41,212,538

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