D'apres Meg (1982)

Overview

In D'APRES MEG, small hand gestures are microscopically observed in their everyday context, a garden conversation, a construction site, a gallery setting. By taking our common peripheral vision of events seriously, Grenier produces an evocative enigma. From these images and bits of conversations, which are equally mundane, a new kind of disinterested seeing can be engaged. One that does not reflect meaning as invite it through repetition

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