July 17, 2024

Co-directors Dianna Dilworth and Julia Greenberg wanted to paint a portrait of a creative artist more people should know, and they accomplish the mission with their documentary “Dory Previn: On My Way To Where.” Dilworth and Greenberg let Previn’s lyrics and music tell her own story, which was filled with trauma, scandal, and so much pain, all of which were reflected in the award-winning Hollywood lyricist’s life.

While folks already familiar … read the rest.

Co-directors Dianna Dilworth and Julia Greenberg wanted to paint a portrait of a creative artist more people should know, and they accomplish the mission with their documentary “Dory Previn: On My Way To Where.” Dilworth and Greenberg let Previn’s lyrics and music tell her own story, which was filled with trauma, scandal, and so much pain, all of which were reflected in the award-winning Hollywood lyricist’s life.

While folks already familiar with Previn will likely love this documentary the most, Dilworth does an excellent job introducing the lyricist’s work and life to the uninitiated. I learned a lot here, and I’m so glad I did.

Previn kept an extensive collection of journals, which chronicled all the voices in her head. These are included in the documentary (with passages read by J. Smith-Cameron), and they are quite disturbing and dark. It really paints a clear picture as to Previn’s mental state throughout her life.
Previn wrote lyrics about her own experiences, and those verses had an incredible amount of depth.

Previn was a prolific recording artist, releasing albums in the 1970s when she was in her 40s. She sang and wrote meaningful music about the women’s movement, personal trauma, sex, and her breakdowns, both career-wise and mental. She achieved cult status with her repertoire of music.

When her husband left her for the actress (and their mutual friend) Mia Farrow, Dory began drowning in her mental illness. She was committed to an institution, where she began expressing her feelings through writing songs. It was a positive way to exorcise her demons.

The film doesn’t sugar coat Previn’s struggles with mental illness, including the voices she heard in her head (and whom she referred to as Mama, Max, and the Lion). It’s sad how much her diagnosed schizophrenia impacted her personal life, but it didn’t stop her from getting all those traumas and hurt out of her system by writing songs.

Featuring animation by Emily Hubley that scribbles these words across the screen in sync with the music is a cool way to tell the story, but it does get tiring and too repetitive even in the film’s brief run time.

“Dory Previn: On My Way To Where” provides an intimate look at a little-known figure, and the respect and admiration Dilworth and Greenberg have for their subject shines through.

by: Louisa Moore / SCREEN ZEALOTS

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