Il mare ci ha chiamate (1978)

Overview

“Fight, politics, fantasy, madness, expression. I made this film, detached moments, connected in my psyche: poetry intervention in the Gaiola style, my love for the sea, for women, for the Nemesiache, for beauty. I dream in insomnia of a reality that deforms beauty... I dig, I penetrate with my eyes through prohibitions and disfigurements in my expropriated territory. I play with the sadness of a fragility determined by infinite mobile interests: spaces for me, spaces for others." L.M.

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