Al rojo vivo (2025)

Overview

I receive discarded footage from a documentary that never was. I review various documents related to the coup d’état in Uruguay. I observe how the bodies of lesbians and transvestites from that time are represented. I become obsessed with amethyst, a stone extracted from the north of Uruguay, displayed in a European natural history museum. All the files are united by one thing in common: cataloging.

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