Gracias Pablo (2026)

Overview

A ready-made work constructed from a 70mm film reel of unknown origin. Fragments of an action film — helicopters, chase sequences, rollercoaster trajectories — are reassembled into a continuous field of motion. Through re-projection and rhythmic bursts of light, the original footage is reactivated, displacing narrative in favour of spatial and kinetic intensity. The image unfolds as a dynamic structure of movement, where locomotion, repetition, and scale produce an immersive experience of disorientation and propulsion.

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