Overview
Based on Ethel Smyth's opera The Wreckers, Kerstin Steeb’s Strandrecht creates a vision of civil disobedience in the guise of a feminist opera—positioned somewhere between lavish music theatreand a performative experience. A contemporary interpretation of this hitherto underappreciated work emerges from a blend of original piano passages, classical vocals, electronic sounds, and new text fragments.
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EN
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