April 17, 2016

Let me say right off the bat that at least for me, there were two things working in this film's favour even before I started it (as 2 nifty percent of my infamous Mill Creek 50-pack, 'Nightmare Worlds'): a) I love the old-time serials, a part a week at the theatres, each with a cliffhanger ending; and b) I'm a fan of Buster Crabbe, from seeing him previously both as Tarzan and in a Flash Gordon serial. Directors Beebe and Goodkind were masters at… read the rest.

Let me say right off the bat that at least for me, there were two things working in this film's favour even before I started it (as 2 nifty percent of my infamous Mill Creek 50-pack, 'Nightmare Worlds'): a) I love the old-time serials, a part a week at the theatres, each with a cliffhanger ending; and b) I'm a fan of Buster Crabbe, from seeing him previously both as Tarzan and in a Flash Gordon serial. Directors Beebe and Goodkind were masters at the format, and this is no exception (although since it's from the 30's, and with B-movie budgetary restrictions at that, I readily dismiss all negative comments from people complaining that for the 1950's, it's really crappy filmmaking--it's NOT from the 50's, but simply edited then into a feature-length film the company could then sell, most probably to television stations).

I enjoyed it, though I wish that instead of seeing this, I was watching the unedited, undiluted full serial that was originally made. I have read that the best and most exciting parts were edited out.

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