John Chard
⭐ 7/10 March 22, 2020
It didn't kill me softly.
Will is self centered and has cast off all his responsibilities. But during one of his more dubious scams to date single mothers, he is forced to reconsider his moral fibre after coming into contact with a 12 year old outcast named Marcus.
Adapted from the massively popular book written by Nick Hornby ("Fever Pitch" & "High Fidelity") About A Boy easily translates well to the screen without truly breaking free of… read the rest.
It didn't kill me softly.
Will is self centered and has cast off all his responsibilities. But during one of his more dubious scams to date single mothers, he is forced to reconsider his moral fibre after coming into contact with a 12 year old outcast named Marcus.
Adapted from the massively popular book written by Nick Hornby ("Fever Pitch" & "High Fidelity") About A Boy easily translates well to the screen without truly breaking free of the modest premise. Oddly enough for such a British picture, this is directed by an American, Paul Weitz, who along with his brother Chris, brought the world "American Pie". It works, largely to the undervalued comic talents of one Hugh Grant (Will). I would go so far as to say that without Grant leading the film, this would have been a flop, all the highlights on offer are when Grant is on the screen. Expressive with his face and delivering his lines with a natural high, Grant nicely lures the audience into the less than admirable Will's hands. Which is quite a trick considering that Will is a morally dubious scum bag!.
Nicholas Hoult (Marcus) is OK as child actors go, but here he is given far to much to do. Which is another reason why Grant is so important to the film being a success, he shoulders much of the emotional burden, letting Hoult breathe what life he can into poor young Marcus (worst hair cut on film ever). Solid support comes from Toni Collette and Rachael Weisz, and Weitz's direction is smooth and unobtrusive, with Badly Drawn Boy's score an integral part of the story. Yet as much as I enjoy the film myself, one still feels frustrated that it didn't turn out better than it did. A double handed narration from both lead characters intrudes on the flow of the plot, and the pay off is ultimately an "oh" moment. So to me it's an OK movie made into a good one courtesy of one of Britain's best light comedy actors. 7/10
show less
CinemaSerf
⭐ 7/10 April 18, 2024
"Will" (Hugh Grant) lives a life of leisure living off the royalties of a Christmas song written by his grandad. He dates a succession of women but usually neither party want much more than a quickie. He realises that all of the interesting people have grown up and into relationships, marriages and family life - so he decides that it's time for him to have a son too! An imaginary one. Then he encounters "Fiona" (Toni Collette) and her son "Marcus… read the rest.
"Will" (Hugh Grant) lives a life of leisure living off the royalties of a Christmas song written by his grandad. He dates a succession of women but usually neither party want much more than a quickie. He realises that all of the interesting people have grown up and into relationships, marriages and family life - so he decides that it's time for him to have a son too! An imaginary one. Then he encounters "Fiona" (Toni Collette) and her son "Marcus" (Nicholas Hoult) and they begin to bond a little - even if the boy does bring out his (and my) best Herod tendencies. Despite himself, "Will" isn't a complete waste of space and when a near tragedy strikes the life of the bullied "Marcus", the two start to bond over afternoon editions of "Countdown" on the television and slowly all concerned start to realise the benefits of family - shiny new trainers, warts and all. The dialogue is quite observationally witty here and as much of the story is told via a punchy narration from Grant and Hoult, we get an additional degree of honesty to their story that augments the acting quite amiably. Hoult is the star, no doubt about it. His characterisation of an increasingly savvy and persistent child is engaging to watch and though I really did struggle to get through the cheese-fest that is the conclusion I did rather find myself wanting an happy ending. It's easy to see why Grant was Hollywood material and here he effortlessly delivers a gentle feel-good film tinged with the odd bit of reality. One that still works well.
show less
