March 27, 2022

It is tempting just to look upon this as an imperialist (Western, not Chinese) costume drama with fireworks. I think, however, it does merit a little more credit than that. Samuel Bronston pulls together quite a cast as Hollywood (via Madrid and Valencia) gives us it's version of the failed/foiled Boxer rebellion that lead to the ultimate decline of the Dragon Throne. Charlton Heston and David Niven develop a decent enough chemistry as the story … read the rest.

It is tempting just to look upon this as an imperialist (Western, not Chinese) costume drama with fireworks. I think, however, it does merit a little more credit than that. Samuel Bronston pulls together quite a cast as Hollywood (via Madrid and Valencia) gives us it's version of the failed/foiled Boxer rebellion that lead to the ultimate decline of the Dragon Throne. Charlton Heston and David Niven develop a decent enough chemistry as the story takes shape, and Ava Gardner, Flora Robson, Leo Genn and Paul Lukas ensure there is some strength and depth to the supporting cast, and therefore to the story of the siege of the diplomatic compound in Peking by Chinese rebels in 1900. The sets are testament to what could be done in a world before CGI (and I bet the budgets wouldn't be that much different, either) and the mass-participation scenes are colourful, noisy and look good. As ever with these kind of films, there is an inevitability around the outcome; however preposterous the odds - but this is still a commendable effort to enlighten us, a little, as to the attitude of the colonial powers to China at the turn of the 20th Century.

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