April 16, 2023

Enthusiastic photographer "Carter" (Paul Carpenter) is determined to investigate a dodgy nightclub owner whom he thinks is behind the killing of his brother-in-law. Meantime, his gal "Joan" (Kay Callard) is concerned that her naive and innocent sister "Peggy" (Jackie Collins - yep, that one!) is getting herself too closely entangled with this self same hood - "Ted" (Bruce Seton). Before long, "Carter" is knee-deep in a blackmailing and drug-runni… read the rest.

Enthusiastic photographer "Carter" (Paul Carpenter) is determined to investigate a dodgy nightclub owner whom he thinks is behind the killing of his brother-in-law. Meantime, his gal "Joan" (Kay Callard) is concerned that her naive and innocent sister "Peggy" (Jackie Collins - yep, that one!) is getting herself too closely entangled with this self same hood - "Ted" (Bruce Seton). Before long, "Carter" is knee-deep in a blackmailing and drug-running racket but can he get to the bottom of things before he, too, goes the way of the dodo? The story is actually a little more sophisticated than the routine - faking accidents to extort cash and to coerce the victims into helping with their lucrative peddling, but the dialogue is way too plentiful and there is a lot of padding - especially the scenes with the "Miss Brazil" (Maya Koumani) that rips the pace out of the film quite successfully. Seton really doesn't engender the slightest sense of malice - though maybe that's because he has been in so many of these B-features that his face is synonymous with just about every role you'd care to mention, and that does impact on the potency of his characterisations. It ends as you'd expect and is entirely forgettable stuff, sorry.

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