January 10, 2019

No needles, just pins!

I Bury the Living is directed by Albert Band and written by Louis Garfinkle. It stars Richard Boone, Theodore Bikel, Howard Smith, Herbert Anderson, Robert Osterloh and Peggy Maurer. Music is scored by Gerald Fried and cinematography by Frederick Gately.

Robert Kraft (Boone) is appointed as the custodian of Immortal Hills Cemetery. On the wall in the cemetery office is a large map that details the plots that are taken… read the rest.

No needles, just pins!

I Bury the Living is directed by Albert Band and written by Louis Garfinkle. It stars Richard Boone, Theodore Bikel, Howard Smith, Herbert Anderson, Robert Osterloh and Peggy Maurer. Music is scored by Gerald Fried and cinematography by Frederick Gately.

Robert Kraft (Boone) is appointed as the custodian of Immortal Hills Cemetery. On the wall in the cemetery office is a large map that details the plots that are taken by the dead, and the plots that are reserved by other town members. These are signified by black (taken) and white (reserved) pins. When Kraft accidentally places a black pin on the names of living people, he is stunned to find they end up dead shortly after. Coincidence?

The title and the fabulous poster art that accompanies it has lured in many a horror fan, only for them to be disappointed with the end product since it's more a mystery thriller with potentially supernatural overtones. A slimline and modest budgeted pic, it's a film that sadly doesn't make the most of the premise at its core. However, there's still a very enjoyable movie here, one that thrives on an uneasy atmosphere and showcases some neat visual film noirish, touches.

Shot in stark black and white to perfectly emphasise the shadowy tension in the plotting, director Band deftly lets the office cemetery map become the dominant force of the piece, marrying it up with the ever fretful Kraft's mental being. These scenes with just Kraft in the cold isolated office are the films best. Though the outer shots in the cemetery, with tombstones and wrought iron fencing, are suitably eerie too.

Boone leads off with a very good performance as a man trying to comprehend the situation whilst doing the right thing, and music and photography is well worthy of our eyes and ears. It could have gone a darker route with Boone's protagonist, while the resolution has understandably infuriated more than it has pleased, but for its unique feel and worthy tech credits it's a better than average time filler. 7/10

DVD viewed was French Region 2 release from Bach Movies. Good print

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